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桌面字体

TTF

TrueType Font - universal desktop font format developed by Apple and Microsoft in the 1980s. Uses quadratic Bézier curves for glyph outlines. Excellent screen rendering with hinting technology. Works on all platforms (Windows, Mac, Linux). Supports Unicode with up to 65,536 glyphs. Standard desktop font format with maximum compatibility. Perfect for document embedding, desktop publishing, and cross-platform typography. Universal support in all operating systems and applications. Reliable choice for general-purpose font usage.

OTF

OpenType Font - modern font format jointly developed by Adobe and Microsoft (1996) extending TrueType. Uses cubic Bézier curves (PostScript outlines) allowing more complex glyph shapes. Supports advanced typography features (ligatures, alternate glyphs, contextual substitutions). Can contain up to 65,536 glyphs enabling comprehensive language support. Cross-platform compatibility (Windows, Mac, Linux). Industry standard for professional typography and multilingual documents. Perfect for print design, branding, and high-quality typography. Superior to TTF for complex scripts and advanced typographic features.

DFONT

Mac Data Fork Font - legacy Macintosh font format storing TrueType/PostScript data in data fork. Used in Mac OS 9 and earlier. Phased out with Mac OS X transition to .ttf and .otf. Contains complete font data in single file (unlike resource fork fonts). Limited compatibility with modern systems. Convert to TTF or OTF for current macOS and cross-platform use. Historical format important for accessing old Mac fonts. Mainly encountered when migrating legacy Mac systems.

CFF

Compact Font Format - Adobe's space-efficient font outline format used within OpenType fonts. Stores glyph outlines using PostScript-based charstrings. More compact than TrueType outlines. Used in OTF fonts with PostScript outlines. Not standalone font file - embedded in OTF. Professional typography standard. Better compression than TTF outlines. Extract from OTF or work with complete OTF fonts.

CID

CID-Keyed Font - Adobe font format for large character sets (Asian languages with thousands of characters). Character ID based system for efficient large font handling. Used in professional CJK (Chinese, Japanese, Korean) typography. Complex format requiring PostScript RIP support. Legacy format superseded by Unicode OpenType. Convert to modern OTF with Unicode mapping for compatibility. Important for accessing legacy Asian language fonts.

SFD

Spline Font Database - FontForge's native font format. Editable font source format storing complete font data including editing information. ASCII or binary format with full font metadata. Used in font design and development. Convert to TTF/OTF for deployable fonts. Perfect for font design workflow. Maintains complete font development history. FontForge is free open-source font editor.

UFO

Unified Font Object - open source font source format (XML-based directory structure). Developed by font tool creators for interoperability. Stores complete font design data in human-readable XML. Used by modern font editors (RoboFont, Glyphs, FontForge). Perfect for font development and version control. Industry standard for open font source files. Compile to TTF/OTF for distribution. Excellent for collaborative font design.

网页格式

WOFF

Web Open Font Format - font format specifically designed for web use (2009). Compressed TrueType/OpenType fonts reducing file size by ~40%. Supported by 99% of browsers (Chrome, Firefox, Safari, Edge). Includes metadata for licensing and font information. Perfect for website typography ensuring consistent rendering across devices. Industry standard for web fonts. Faster page loads than raw TTF/OTF. Essential for modern web design and custom typography. Recommended for broad web compatibility.

WOFF2

WOFF 2.0 - improved web font format (2014) with better compression using Brotli algorithm. 30% smaller than WOFF with faster decompression. Supported by all modern browsers (96%+ global coverage). Maintains WOFF's metadata and licensing features. Superior performance for web typography. Recommended format for modern websites. Falls back to WOFF for older browsers. Essential for optimizing website performance and reducing bandwidth. Default choice for contemporary web development.

EOT

Embedded OpenType - proprietary web font format developed by Microsoft for Internet Explorer. Compressed and subset fonts with DRM protection. Only supported by Internet Explorer (legacy browser). Obsolete format replaced by WOFF/WOFF2. Historically important for web fonts (1997-2010s). Still encountered in legacy websites. Not recommended for new projects. Convert to WOFF2/WOFF for modern browsers. Maintained only for backward compatibility with old IE versions.

SVG

SVG Font - vector-based font format embedded in SVG files. Defines glyphs as SVG paths allowing colors, gradients, and effects. Deprecated for web use in favor of WOFF. Limited browser support (only Safari supports SVG fonts). Larger file sizes than outline fonts. Mainly historical format. Useful for special effects and colored fonts. Modern alternative: OpenType-SVG. Not recommended for general use. Better options: WOFF2 with icon fonts or OpenType color fonts.

专业格式

PFB

PostScript Font Binary - Adobe Type 1 binary format for professional printing (1984). Contains glyph outlines in PostScript language. Excellent print quality with precise curves. Requires corresponding PFM or AFM metrics file. Standard in professional publishing and printing industry. Limited to 256 glyphs (single-byte encoding). Being replaced by OpenType. Still used in legacy publishing workflows. Convert to OTF for modern compatibility while preserving PostScript quality.

PFA

PostScript Font ASCII - Adobe Type 1 ASCII variant of PFB format. Human-readable PostScript code defining font outlines. Used for font development and debugging. Less efficient than PFB binary format. Requires PFM or AFM metrics file. Same quality as PFB for printing. Legacy format for professional typography. Convert to OTF for modern systems. Primarily historical significance in desktop publishing evolution.

PFM

Printer Font Metrics - Windows metrics file for Type 1 PostScript fonts. Contains font measurements (character widths, kerning pairs, bounding boxes). Required companion to PFB/PFA for proper rendering on Windows. Text file format with font metrics data. Does not contain glyph outlines. Legacy format from Windows 3.1/95 era. Used with PFB for complete Type 1 font installation. Modern OpenType fonts include metrics internally. Convert Type 1 fonts to OTF to consolidate metrics and outlines.

AFM

Adobe Font Metrics - Adobe's metrics format for Type 1 PostScript fonts. Contains character widths, kerning pairs, ligatures, and bounding boxes. ASCII text format readable by humans and applications. Companion to PFB/PFA outline files. Used by font design tools and professional publishing software. Essential for proper font spacing and kerning. Legacy format with historical importance in digital typography. Modern fonts embed metrics in OTF format. Convert to OpenType for integrated metrics and outlines.

BIN

Binary Font File - generic binary font data format used by various font tools and editors. Contains raw font outline data without specific format wrapper. Used in font development and conversion pipelines. Requires specific tools to process. Not a standard end-user format. Intermediate format in font creation workflow. Convert to TTF or OTF for usable fonts. Primarily relevant in font design and development contexts.

SUIT

Mac Suitcase Font - legacy Macintosh font container (Mac OS Classic) storing multiple fonts in one file. Contains TrueType or PostScript fonts in resource fork. Used with Font Suitcase format (.suit extension). Obsolete with Mac OS X migration. Poor compatibility with modern systems. Required Font/DA Mover for installation on old Macs. Extract individual fonts and convert to TTF/OTF for modern use. Important for recovering fonts from classic Mac archives and systems.

PS

PostScript Font Program - Adobe PostScript Type 1 font in PostScript language format. Contains font outlines as PostScript code. Used for printer font downloads and font development. Human-readable but inefficient. Legacy format from desktop publishing era. Convert to OTF for modern usage. Historical importance in professional typography. Mainly encountered in old publishing workflows.

PT3

PageMaker 3 Font - legacy font format from Aldus PageMaker 3.0 (1980s desktop publishing). Proprietary format specific to early PageMaker versions. Obsolete format with no modern support. Important only for recovering old PageMaker documents. Convert to TTF/OTF if font data recoverable. Historical artifact from desktop publishing evolution. Better alternatives available for all uses.

T11

Type 11 Font - variant of PostScript CID-Keyed font format. Used for complex fonts with large character sets. Legacy format for Asian language fonts. Limited modern support. Convert to Unicode OpenType for compatibility. Historical format in CJK font development. Modern alternatives handle large character sets better with Unicode.

T42

Type 42 Font - PostScript font format wrapping TrueType outlines. Hybrid format combining PostScript wrapper with TrueType data. Used for downloading TrueType fonts to PostScript printers. Primarily printer-internal format. Limited end-user relevance. Convert underlying TrueType to TTF/OTF. Historical bridge between TrueType and PostScript worlds.

如何转换文件

上传您的文件,选择输出格式,立即下载转换后的文件。我们的转换器支持批量转换并保持高质量。

常见问题

什么是 DFONT 文件,为什么它在早期的 macOS 版本中被引入?

A DFONT file is a data-fork TrueType font format used by early Mac OS X systems to replace classic resource-fork font structures.

It consolidated font data into a single file that matched the modern Unix-style filesystem used by OS X.

DFONT served as a transition format during Apple’s shift from Classic Mac OS to a unified font architecture.

Why did Apple move from suitcase-style resource fonts to DFONT?

资源分支在跨平台环境中不可靠,并且与许多标准文件操作不兼容。

DFONT 将所有排版数据存储在数据分支中,使其可移植并且更易于应用程序处理。

这种现代化简化了字体管理和系统集成。

为什么 DFONT 文件通常在内部包含 TrueType 轮廓?

DFONT 本质上是围绕传统 TrueType 表格的包装器,存储在 Mac 特定结构中。

底层字形数据使用二次 Bézier 曲线,就像标准 TTF 字体一样。

这确保与 macOS 系统渲染器的完全兼容性。

Why can't modern Windows systems install DFONT files directly?

Windows expects TrueType fonts in TTF or OpenType packages, not in Apple's data-fork container.

DFONT embeds tables differently, so Windows font loaders cannot parse the structure.

Conversion to TTF is required before Windows can recognize DFONT fonts.

为什么某些 macOS 系统字体仍然仅以 DFONT 形式存在?

某些传统界面字体在 OS X 过渡期间被打包为 DFONT。

有些保持不变以保持与旧 Cocoa 框架的兼容性。

这些系统字体仍然受到 macOS 的保护,无法直接修改。

为什么 DFONT 文件通常看起来比等效的 TTF 文件大得多?

DFONT 有时包含额外的内部资源、本地化表或系统特定的元数据。

Apple’s packaging method resulted in less efficient storage compared to modern compressed formats.

缺乏压缩会导致文件大小明显增大。

为什么许多字体编辑器在打开 DFONT 文件之前需要转换?

大多数编辑器仅接受标准的 TrueType 或 OpenType 容器。

DFONT’s Apple-specific header and data layout must be extracted before editing.

像 dfont2ttf 这样的工具通常用于将 DFONT 转换为可编辑的 TTF 形式。

Why was DFONT tightly integrated with Apple’s ATS (Apple Type Services)?

ATS 期望字体遵循在 OS X 中引入的统一数据分支模型。

DFONT 支持高效的内存映射和在基于 ATS 的应用程序中的快速渲染。

这种集成有助于维护系统范围内的排版一致性。

为什么一些设计师避免以 DFONT 格式分发字体?

DFONT 在 macOS 生态系统之外并不广泛支持。

其他平台的用户必须手动转换,这可能会导致兼容性问题。

OpenType 已成为通用格式,使 DFONT 在跨平台分发中变得不必要。

为什么将 DFONT 转换为 TTF 有时会改变命名或元数据?

DFONT 以不同于 TTF 的方式存储字体名称、样式信息和元数据。

转换工具必须重新解释内部表,这可能会产生细微的变化。

在准备专业发布时,通常需要手动清理。

为什么 DFONT 文件曾经是 macOS 中系统 UI 元素所必需的?

OS X 的早期框架期望特定字体系列以 DFONT 格式存在,以便渲染菜单和对话框。

某些 UI 子系统硬编码了对 DFONT 资源的引用。

Over time, Apple replaced these dependencies with OpenType system fonts.

为什么 DFONT 字体有时表现得与同种字体的 TTF 版本不同?

DFONT may include unique Apple-specific tables or rendering hints.

macOS 中的字体平滑和抗锯齿行为可能会根据源格式而有所不同。

转换后的版本可能并不总是复制确切的系统渲染配置。

为什么 DFONT 今天被视为一种过渡遗留格式?

It was created to bridge the gap between Classic Mac OS and the early Unix-based OS X environment.

现代 macOS 版本几乎完全依赖于 OpenType 支持的系统字体。

DFONT 文件仅因历史、档案或兼容性原因而保留。

为什么某些 DFONT 文件在单个文件中包含多个字体样式?

Apple sometimes packaged complete font families inside a single DFONT container for simpler system management.

这反映了旧的手提箱结构,同时使用数据分支实现。

提取工具可以根据需要将其拆分为单独的 TTF 文件。

为什么 DFONT 不再推荐用于现代设计或分发?

它是特定于 macOS 的,缺乏压缩,并且没有比 OpenType 更大的优势。

现代软件生态系统期望使用 TTF 或 OTF 以实现互操作性和可靠性。

为了长期可移植性,强烈建议转换 DFONT 字体。