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桌面字体

TTF

TrueType Font - universal desktop font format developed by Apple and Microsoft in the 1980s. Uses quadratic Bézier curves for glyph outlines. Excellent screen rendering with hinting technology. Works on all platforms (Windows, Mac, Linux). Supports Unicode with up to 65,536 glyphs. Standard desktop font format with maximum compatibility. Perfect for document embedding, desktop publishing, and cross-platform typography. Universal support in all operating systems and applications. Reliable choice for general-purpose font usage.

OTF

OpenType Font - modern font format jointly developed by Adobe and Microsoft (1996) extending TrueType. Uses cubic Bézier curves (PostScript outlines) allowing more complex glyph shapes. Supports advanced typography features (ligatures, alternate glyphs, contextual substitutions). Can contain up to 65,536 glyphs enabling comprehensive language support. Cross-platform compatibility (Windows, Mac, Linux). Industry standard for professional typography and multilingual documents. Perfect for print design, branding, and high-quality typography. Superior to TTF for complex scripts and advanced typographic features.

DFONT

Mac Data Fork Font - legacy Macintosh font format storing TrueType/PostScript data in data fork. Used in Mac OS 9 and earlier. Phased out with Mac OS X transition to .ttf and .otf. Contains complete font data in single file (unlike resource fork fonts). Limited compatibility with modern systems. Convert to TTF or OTF for current macOS and cross-platform use. Historical format important for accessing old Mac fonts. Mainly encountered when migrating legacy Mac systems.

CFF

Compact Font Format - Adobe's space-efficient font outline format used within OpenType fonts. Stores glyph outlines using PostScript-based charstrings. More compact than TrueType outlines. Used in OTF fonts with PostScript outlines. Not standalone font file - embedded in OTF. Professional typography standard. Better compression than TTF outlines. Extract from OTF or work with complete OTF fonts.

CID

CID-Keyed Font - Adobe font format for large character sets (Asian languages with thousands of characters). Character ID based system for efficient large font handling. Used in professional CJK (Chinese, Japanese, Korean) typography. Complex format requiring PostScript RIP support. Legacy format superseded by Unicode OpenType. Convert to modern OTF with Unicode mapping for compatibility. Important for accessing legacy Asian language fonts.

SFD

Spline Font Database - FontForge's native font format. Editable font source format storing complete font data including editing information. ASCII or binary format with full font metadata. Used in font design and development. Convert to TTF/OTF for deployable fonts. Perfect for font design workflow. Maintains complete font development history. FontForge is free open-source font editor.

UFO

Unified Font Object - open source font source format (XML-based directory structure). Developed by font tool creators for interoperability. Stores complete font design data in human-readable XML. Used by modern font editors (RoboFont, Glyphs, FontForge). Perfect for font development and version control. Industry standard for open font source files. Compile to TTF/OTF for distribution. Excellent for collaborative font design.

网页格式

WOFF

Web Open Font Format - font format specifically designed for web use (2009). Compressed TrueType/OpenType fonts reducing file size by ~40%. Supported by 99% of browsers (Chrome, Firefox, Safari, Edge). Includes metadata for licensing and font information. Perfect for website typography ensuring consistent rendering across devices. Industry standard for web fonts. Faster page loads than raw TTF/OTF. Essential for modern web design and custom typography. Recommended for broad web compatibility.

WOFF2

WOFF 2.0 - improved web font format (2014) with better compression using Brotli algorithm. 30% smaller than WOFF with faster decompression. Supported by all modern browsers (96%+ global coverage). Maintains WOFF's metadata and licensing features. Superior performance for web typography. Recommended format for modern websites. Falls back to WOFF for older browsers. Essential for optimizing website performance and reducing bandwidth. Default choice for contemporary web development.

EOT

Embedded OpenType - proprietary web font format developed by Microsoft for Internet Explorer. Compressed and subset fonts with DRM protection. Only supported by Internet Explorer (legacy browser). Obsolete format replaced by WOFF/WOFF2. Historically important for web fonts (1997-2010s). Still encountered in legacy websites. Not recommended for new projects. Convert to WOFF2/WOFF for modern browsers. Maintained only for backward compatibility with old IE versions.

SVG

SVG Font - vector-based font format embedded in SVG files. Defines glyphs as SVG paths allowing colors, gradients, and effects. Deprecated for web use in favor of WOFF. Limited browser support (only Safari supports SVG fonts). Larger file sizes than outline fonts. Mainly historical format. Useful for special effects and colored fonts. Modern alternative: OpenType-SVG. Not recommended for general use. Better options: WOFF2 with icon fonts or OpenType color fonts.

专业格式

PFB

PostScript Font Binary - Adobe Type 1 binary format for professional printing (1984). Contains glyph outlines in PostScript language. Excellent print quality with precise curves. Requires corresponding PFM or AFM metrics file. Standard in professional publishing and printing industry. Limited to 256 glyphs (single-byte encoding). Being replaced by OpenType. Still used in legacy publishing workflows. Convert to OTF for modern compatibility while preserving PostScript quality.

PFA

PostScript Font ASCII - Adobe Type 1 ASCII variant of PFB format. Human-readable PostScript code defining font outlines. Used for font development and debugging. Less efficient than PFB binary format. Requires PFM or AFM metrics file. Same quality as PFB for printing. Legacy format for professional typography. Convert to OTF for modern systems. Primarily historical significance in desktop publishing evolution.

PFM

Printer Font Metrics - Windows metrics file for Type 1 PostScript fonts. Contains font measurements (character widths, kerning pairs, bounding boxes). Required companion to PFB/PFA for proper rendering on Windows. Text file format with font metrics data. Does not contain glyph outlines. Legacy format from Windows 3.1/95 era. Used with PFB for complete Type 1 font installation. Modern OpenType fonts include metrics internally. Convert Type 1 fonts to OTF to consolidate metrics and outlines.

AFM

Adobe Font Metrics - Adobe's metrics format for Type 1 PostScript fonts. Contains character widths, kerning pairs, ligatures, and bounding boxes. ASCII text format readable by humans and applications. Companion to PFB/PFA outline files. Used by font design tools and professional publishing software. Essential for proper font spacing and kerning. Legacy format with historical importance in digital typography. Modern fonts embed metrics in OTF format. Convert to OpenType for integrated metrics and outlines.

BIN

Binary Font File - generic binary font data format used by various font tools and editors. Contains raw font outline data without specific format wrapper. Used in font development and conversion pipelines. Requires specific tools to process. Not a standard end-user format. Intermediate format in font creation workflow. Convert to TTF or OTF for usable fonts. Primarily relevant in font design and development contexts.

SUIT

Mac Suitcase Font - legacy Macintosh font container (Mac OS Classic) storing multiple fonts in one file. Contains TrueType or PostScript fonts in resource fork. Used with Font Suitcase format (.suit extension). Obsolete with Mac OS X migration. Poor compatibility with modern systems. Required Font/DA Mover for installation on old Macs. Extract individual fonts and convert to TTF/OTF for modern use. Important for recovering fonts from classic Mac archives and systems.

PS

PostScript Font Program - Adobe PostScript Type 1 font in PostScript language format. Contains font outlines as PostScript code. Used for printer font downloads and font development. Human-readable but inefficient. Legacy format from desktop publishing era. Convert to OTF for modern usage. Historical importance in professional typography. Mainly encountered in old publishing workflows.

PT3

PageMaker 3 Font - legacy font format from Aldus PageMaker 3.0 (1980s desktop publishing). Proprietary format specific to early PageMaker versions. Obsolete format with no modern support. Important only for recovering old PageMaker documents. Convert to TTF/OTF if font data recoverable. Historical artifact from desktop publishing evolution. Better alternatives available for all uses.

T11

Type 11 Font - variant of PostScript CID-Keyed font format. Used for complex fonts with large character sets. Legacy format for Asian language fonts. Limited modern support. Convert to Unicode OpenType for compatibility. Historical format in CJK font development. Modern alternatives handle large character sets better with Unicode.

T42

Type 42 Font - PostScript font format wrapping TrueType outlines. Hybrid format combining PostScript wrapper with TrueType data. Used for downloading TrueType fonts to PostScript printers. Primarily printer-internal format. Limited end-user relevance. Convert underlying TrueType to TTF/OTF. Historical bridge between TrueType and PostScript worlds.

如何转换文件

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常见问题

什么是CFF字体文件,为什么它作为PostScript生态系统的一部分被引入?

CFF(紧凑字体格式)是一种高效的轮廓格式,使用三次Bézier曲线和压缩字符字符串存储字形。

它的开发旨在提供比传统Type 1字体结构更小、更干净的替代方案。

CFF成为现代OpenType字体使用PostScript轮廓的基础。

为什么CFF比旧的Type 1字体格式更紧凑?

CFF使用基于字典的编码和子例程化来避免重复常见字形指令。

它的结构压缩了在大型字体系列中发现的冗余操作。

这导致文件大小大大减小,而不牺牲细节。

为什么CFF字体使用三次Bézier曲线而不是二次曲线?

三次曲线提供了更大的绘图灵活性,并且需要更少的控制点来表达复杂形状。

这允许更平滑、更准确的字形,受到专业铸字厂的青睐。

The model aligns with Adobe’s PostScript imaging architecture.

为什么在高端印刷工作流程中更喜欢CFF轮廓?

基于PostScript的RIP系统以卓越的精度解释三次轮廓。

CFF消除了因设备间提示差异而导致的不一致性。

这确保了在专业打印机和制版机上的一致输出。

为什么OpenType支持两种不同的轮廓技术,包括CFF?

OpenType将TrueType和PostScript世界合并在一个容器中,以确保通用兼容性。

CFF迎合了偏好PostScript渲染和打印质量曲线的设计师。

这种双重系统为屏幕和以打印为中心的工作流程提供了灵活性。

为什么CFF字体在某些环境中加载更高效?

紧凑的结构减少了磁盘I/O,并在光栅化过程中最小化内存占用。

子例程允许渲染器更快地处理重复模式。

这可以提高大型字符集的性能。

为什么许多专业的衬线和展示字体使用CFF轮廓?

三次Bézier曲线捕捉细微的笔画过渡和书法细微差别。

设计师重视CFF对细腻曲线的精细控制。

这使其成为高端印刷和品牌字体的理想选择。

为什么CFF字体在不同操作系统中表现一致?

CFF依赖于设备无关的PostScript规则,而不是特定于平台的提示。

This removes variations caused by differing rasterizers in Windows, macOS, and Linux.

因此,CFF字体在不同环境中保持统一的视觉特征。

为什么CFF支持子例程化,它提供了什么优势?

子例程化识别重复的字形片段,如衬线或弧形。

这些模式只存储一次,并多次引用以减少文件大小。

这种压缩在具有重复特征的衬线字体中尤其有效。

为什么CFF字体与CID键架构集成良好?

CID键的CFF允许为日语或中文等语言提供大量字符集合。

该格式处理大型字形集而不降低性能。

这种可扩展性使CFF成为全球脚本覆盖的理想选择。

为什么在CFF中提示不如TrueType突出?

PostScript 提示强调一致性而非像素级调整。

CFF 字体依赖于光栅化器来处理显示设置,几乎不需要手动指令。

这减少了复杂性,同时仍提供干净的结果。

为什么一些设计应用程序更喜欢基于 CFF 的 OpenType 字体?

图形设计和排版工具通常使用针对立方体轮廓优化的 PostScript 管道。

CFF 字体自然融入矢量图形和 PDF 工作流程。

这提高了导出打印就绪文档时的精确度。

为什么 CFF 会出现在许多专业 PDF 文档中?

PDF 是围绕类似 PostScript 的成像模型构建的,原生支持 CFF 结构。

嵌入 CFF 会导致 PDF 文件大小更小,渲染速度更快。

这使其非常适合数字分发和打印。

为什么 CFF 被认为比旧的 Type 1 格式更具未来适应性?

它消除了遗留文件分支、加密怪癖和平台依赖性。

CFF 无缝集成到 OpenType 中,后者仍然是行业标准。

这确保了在现代设计生态系统中的持久性。

为什么 CFF2 被用于可变字体,它与 CFF 有何不同?

CFF2 在 CFF 的基础上扩展了优化可变轴的插值友好结构。

它移除了过时的遗留表,减少了冗余并提高了性能。

CFF2 为下一代可变字体技术提供了灵活的基础。