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桌面字体

TTF

TrueType Font - universal desktop font format developed by Apple and Microsoft in the 1980s. Uses quadratic Bézier curves for glyph outlines. Excellent screen rendering with hinting technology. Works on all platforms (Windows, Mac, Linux). Supports Unicode with up to 65,536 glyphs. Standard desktop font format with maximum compatibility. Perfect for document embedding, desktop publishing, and cross-platform typography. Universal support in all operating systems and applications. Reliable choice for general-purpose font usage.

OTF

OpenType Font - modern font format jointly developed by Adobe and Microsoft (1996) extending TrueType. Uses cubic Bézier curves (PostScript outlines) allowing more complex glyph shapes. Supports advanced typography features (ligatures, alternate glyphs, contextual substitutions). Can contain up to 65,536 glyphs enabling comprehensive language support. Cross-platform compatibility (Windows, Mac, Linux). Industry standard for professional typography and multilingual documents. Perfect for print design, branding, and high-quality typography. Superior to TTF for complex scripts and advanced typographic features.

DFONT

Mac Data Fork Font - legacy Macintosh font format storing TrueType/PostScript data in data fork. Used in Mac OS 9 and earlier. Phased out with Mac OS X transition to .ttf and .otf. Contains complete font data in single file (unlike resource fork fonts). Limited compatibility with modern systems. Convert to TTF or OTF for current macOS and cross-platform use. Historical format important for accessing old Mac fonts. Mainly encountered when migrating legacy Mac systems.

CFF

Compact Font Format - Adobe's space-efficient font outline format used within OpenType fonts. Stores glyph outlines using PostScript-based charstrings. More compact than TrueType outlines. Used in OTF fonts with PostScript outlines. Not standalone font file - embedded in OTF. Professional typography standard. Better compression than TTF outlines. Extract from OTF or work with complete OTF fonts.

CID

CID-Keyed Font - Adobe font format for large character sets (Asian languages with thousands of characters). Character ID based system for efficient large font handling. Used in professional CJK (Chinese, Japanese, Korean) typography. Complex format requiring PostScript RIP support. Legacy format superseded by Unicode OpenType. Convert to modern OTF with Unicode mapping for compatibility. Important for accessing legacy Asian language fonts.

SFD

Spline Font Database - FontForge's native font format. Editable font source format storing complete font data including editing information. ASCII or binary format with full font metadata. Used in font design and development. Convert to TTF/OTF for deployable fonts. Perfect for font design workflow. Maintains complete font development history. FontForge is free open-source font editor.

UFO

Unified Font Object - open source font source format (XML-based directory structure). Developed by font tool creators for interoperability. Stores complete font design data in human-readable XML. Used by modern font editors (RoboFont, Glyphs, FontForge). Perfect for font development and version control. Industry standard for open font source files. Compile to TTF/OTF for distribution. Excellent for collaborative font design.

网页格式

WOFF

Web Open Font Format - font format specifically designed for web use (2009). Compressed TrueType/OpenType fonts reducing file size by ~40%. Supported by 99% of browsers (Chrome, Firefox, Safari, Edge). Includes metadata for licensing and font information. Perfect for website typography ensuring consistent rendering across devices. Industry standard for web fonts. Faster page loads than raw TTF/OTF. Essential for modern web design and custom typography. Recommended for broad web compatibility.

WOFF2

WOFF 2.0 - improved web font format (2014) with better compression using Brotli algorithm. 30% smaller than WOFF with faster decompression. Supported by all modern browsers (96%+ global coverage). Maintains WOFF's metadata and licensing features. Superior performance for web typography. Recommended format for modern websites. Falls back to WOFF for older browsers. Essential for optimizing website performance and reducing bandwidth. Default choice for contemporary web development.

EOT

Embedded OpenType - proprietary web font format developed by Microsoft for Internet Explorer. Compressed and subset fonts with DRM protection. Only supported by Internet Explorer (legacy browser). Obsolete format replaced by WOFF/WOFF2. Historically important for web fonts (1997-2010s). Still encountered in legacy websites. Not recommended for new projects. Convert to WOFF2/WOFF for modern browsers. Maintained only for backward compatibility with old IE versions.

SVG

SVG Font - vector-based font format embedded in SVG files. Defines glyphs as SVG paths allowing colors, gradients, and effects. Deprecated for web use in favor of WOFF. Limited browser support (only Safari supports SVG fonts). Larger file sizes than outline fonts. Mainly historical format. Useful for special effects and colored fonts. Modern alternative: OpenType-SVG. Not recommended for general use. Better options: WOFF2 with icon fonts or OpenType color fonts.

专业格式

PFB

PostScript Font Binary - Adobe Type 1 binary format for professional printing (1984). Contains glyph outlines in PostScript language. Excellent print quality with precise curves. Requires corresponding PFM or AFM metrics file. Standard in professional publishing and printing industry. Limited to 256 glyphs (single-byte encoding). Being replaced by OpenType. Still used in legacy publishing workflows. Convert to OTF for modern compatibility while preserving PostScript quality.

PFA

PostScript Font ASCII - Adobe Type 1 ASCII variant of PFB format. Human-readable PostScript code defining font outlines. Used for font development and debugging. Less efficient than PFB binary format. Requires PFM or AFM metrics file. Same quality as PFB for printing. Legacy format for professional typography. Convert to OTF for modern systems. Primarily historical significance in desktop publishing evolution.

PFM

Printer Font Metrics - Windows metrics file for Type 1 PostScript fonts. Contains font measurements (character widths, kerning pairs, bounding boxes). Required companion to PFB/PFA for proper rendering on Windows. Text file format with font metrics data. Does not contain glyph outlines. Legacy format from Windows 3.1/95 era. Used with PFB for complete Type 1 font installation. Modern OpenType fonts include metrics internally. Convert Type 1 fonts to OTF to consolidate metrics and outlines.

AFM

Adobe Font Metrics - Adobe's metrics format for Type 1 PostScript fonts. Contains character widths, kerning pairs, ligatures, and bounding boxes. ASCII text format readable by humans and applications. Companion to PFB/PFA outline files. Used by font design tools and professional publishing software. Essential for proper font spacing and kerning. Legacy format with historical importance in digital typography. Modern fonts embed metrics in OTF format. Convert to OpenType for integrated metrics and outlines.

BIN

Binary Font File - generic binary font data format used by various font tools and editors. Contains raw font outline data without specific format wrapper. Used in font development and conversion pipelines. Requires specific tools to process. Not a standard end-user format. Intermediate format in font creation workflow. Convert to TTF or OTF for usable fonts. Primarily relevant in font design and development contexts.

SUIT

Mac Suitcase Font - legacy Macintosh font container (Mac OS Classic) storing multiple fonts in one file. Contains TrueType or PostScript fonts in resource fork. Used with Font Suitcase format (.suit extension). Obsolete with Mac OS X migration. Poor compatibility with modern systems. Required Font/DA Mover for installation on old Macs. Extract individual fonts and convert to TTF/OTF for modern use. Important for recovering fonts from classic Mac archives and systems.

PS

PostScript Font Program - Adobe PostScript Type 1 font in PostScript language format. Contains font outlines as PostScript code. Used for printer font downloads and font development. Human-readable but inefficient. Legacy format from desktop publishing era. Convert to OTF for modern usage. Historical importance in professional typography. Mainly encountered in old publishing workflows.

PT3

PageMaker 3 Font - legacy font format from Aldus PageMaker 3.0 (1980s desktop publishing). Proprietary format specific to early PageMaker versions. Obsolete format with no modern support. Important only for recovering old PageMaker documents. Convert to TTF/OTF if font data recoverable. Historical artifact from desktop publishing evolution. Better alternatives available for all uses.

T11

Type 11 Font - variant of PostScript CID-Keyed font format. Used for complex fonts with large character sets. Legacy format for Asian language fonts. Limited modern support. Convert to Unicode OpenType for compatibility. Historical format in CJK font development. Modern alternatives handle large character sets better with Unicode.

T42

Type 42 Font - PostScript font format wrapping TrueType outlines. Hybrid format combining PostScript wrapper with TrueType data. Used for downloading TrueType fonts to PostScript printers. Primarily printer-internal format. Limited end-user relevance. Convert underlying TrueType to TTF/OTF. Historical bridge between TrueType and PostScript worlds.

如何转换文件

上传您的文件,选择输出格式,立即下载转换后的文件。我们的转换器支持批量转换并保持高质量。

常见问题

什么是 AFM 文件,为什么它对 Type 1 字体很重要?

An AFM file (Adobe Font Metrics) contains plain-text measurements describing how a Type 1 font should space and align its glyphs.

它包括 PFB 或 PFA 文件中不存在的宽度、字距调整对、边界框以及升降值。

应用程序依赖于AFM数据以实现打印和数字工作流程中的准确页面布局。

为什么AFM以文本文件的形式存储而不是二进制结构?

Adobe designed AFM as a readable specification so designers, typesetters, and software tools could inspect or edit metrics directly.

它的透明性使早期出版系统的调试和定制变得更加容易。

该格式在重视清晰度而非紧凑性的环境中仍然有用。

为什么在许多工具中,Type 1字体在没有其AFM度量的情况下无法正常工作?

PFB和PFA文件包含字形轮廓,但不包括完整的间距信息。

AFM度量定义了每个字符如何适应文本流。

没有AFM数据,换行、字距调整和文本对齐会变得不一致或不准确。

为什么AFM在TeX、Ghostscript和其他命令行出版系统中被广泛使用?

这些系统依赖于可以通过脚本解析和操作的文本度量定义。

AFM无缝融入了对透明性和可移植性有要求的文档工具链。

它的结构与学术和技术出版的要求完美契合。

为什么AFM文件为每个字形包含边界框?

边界框允许布局引擎确定确切的垂直和水平定位。

它们帮助检测超出、重音和下降部分,这些都会影响行间距。

准确的边界框确保在打印机和屏幕引擎之间的一致渲染。

为什么某些字体的AFM文件列出了数千对字距调整?

高质量的字体包含广泛的字距调整,以保持许多字符组合之间的平衡间距。

AFM提供了一个明确的列表,以便应用程序可以可靠地应用这些细微调整。

这种精确性在OpenType自动化许多间距特性之前对专业排版至关重要。

为什么AFM和PFM文件通常与同一字体一起分发?

AFM is needed by Adobe-based and Unix-based environments, while PFM is required by Windows GDI.

每个文件服务于不同的系统架构和度量解释方法。

它们共同确保在Type 1时代所有主要平台之间的兼容性。

为什么设计师有时会修改AFM文件以调整间距?

AFM的文本格式使得可以在不触碰轮廓数据的情况下微调宽度或字距。

这允许对品牌、印刷制作或自定义排版进行精确调整。

在图形字体编辑器普及之前,这种手动细化是很常见的。

为什么某些字体即使其轮廓为OpenType,仍然附带AFM?

某些工作流程工具仍然依赖AFM风格的度量以确保兼容性或归档原因。

AFM可以作为一个通用的人类可读度量参考,无论轮廓格式如何。

这支持在混合旧技术和新技术的出版环境中的混合工作流程。

为什么从AFM转换到现代字体格式会引入间距差异?

AFM将字距调整存储为简单的对,而OpenType使用更复杂的表格,如GPOS。

某些间距细微差别必须被解释,而不是逐字复制。

除非在转换后手动调整,否则预期会有轻微差异。

为什么AFM对归档历史字体很有价值?

它保留了详细的排版测量,如果仅保留轮廓可能会丢失。

由于它是纯文本,AFM文件在数十年后仍然可读,与软件变化无关。

这使它们非常适合长期保存排版数据。

为什么AFM文件明确记录字体宽度度量,如大写高度和x高度?

这些测量会影响段落间距、对齐区域和排版节奏。

应用程序需要它们来计算基线网格和行高比。

将它们包含在AFM中可确保在布局引擎之间的一致行为。

为什么某些AFM文件包含注释或自定义元数据?

出版商和字体厂商通常使用AFM注释记录版本、法律说明或生产细节。

灵活的文本格式允许轻松添加非标准信息。

这使得AFM既是度量文件又是轻量级文档工具。

为什么AFM文件即使在Type 1字体被弃用后仍然有用?

它们提供了清晰的参考度量,有助于重建或迁移旧字体。

转换工具在生成OpenType替代品时仍然读取AFM。

它们的可读性确保在恢复和档案工作流程中保持相关性。

为什么现代字体安装中不再需要 AFM?

OpenType 将轮廓、度量和字距调整整合到一个具有统一表格的单一文件中。

这消除了对外部度量文件(如 AFM)的需求。

然而,在处理传统的 Type 1 环境或历史档案时,AFM 仍然是不可或缺的。