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Supported Formats

Convert between all major file formats with high quality

Common Formats

MP3

MPEG-1 Audio Layer III - the most universal audio format worldwide, using lossy compression to reduce file sizes by 90% while maintaining excellent perceived quality. Perfect for music libraries, podcasts, portable devices, and any scenario requiring broad compatibility. Supports bitrates from 32-320kbps. Standard for digital music since 1993, playable on virtually every device and platform.

WAV

Waveform Audio File Format - uncompressed PCM audio providing perfect quality preservation. Standard Windows audio format with universal compatibility. Large file sizes (10MB per minute of stereo CD-quality). Perfect for audio production, professional recording, mastering, and situations requiring zero quality loss. Supports various bit depths (16, 24, 32-bit) and sample rates. Industry standard for professional audio work.

OGG

Ogg Vorbis - open-source lossy audio codec offering quality comparable to MP3/AAC at similar bitrates. Free from patents and licensing restrictions. Smaller file sizes than MP3 at equivalent quality. Used in gaming, open-source software, and streaming. Supports variable bitrate (VBR) for optimal quality. Perfect for applications requiring free codecs and good quality. Growing support in media players and platforms.

AAC

Advanced Audio Coding - successor to MP3 offering better quality at same bitrate (or same quality at lower bitrate). Standard audio codec for Apple devices, YouTube, and many streaming services. Supports up to 48 channels and 96kHz sample rate. Improved frequency response and handling of complex audio. Perfect for iTunes, iOS devices, video streaming, and modern audio applications. Part of MPEG-4 standard widely supported across platforms.

FLAC

Free Lossless Audio Codec - compresses audio 40-60% without any quality loss. Perfect bit-for-bit preservation of original audio. Open-source format with no patents or licensing fees. Supports high-resolution audio (192kHz/24-bit). Perfect for archiving music collections, audiophile listening, and scenarios where quality is paramount. Widely supported by media players and streaming services. Ideal balance between quality and file size.

M4A

MPEG-4 Audio - AAC or ALAC audio in MP4 container. Standard audio format for Apple ecosystem (iTunes, iPhone, iPad). Supports both lossy (AAC) and lossless (ALAC) compression. Better quality than MP3 at same file size. Includes metadata support for artwork, lyrics, and rich tags. Perfect for iTunes library, iOS devices, and Apple software. Widely compatible across platforms despite Apple association. Common format for purchased music and audiobooks.

WMA

Windows Media Audio - Microsoft's proprietary audio codec with good compression and quality. Standard Windows audio format with native OS support. Supports DRM for protected content. Various profiles (WMA Standard, WMA Pro, WMA Lossless). Comparable quality to AAC at similar bitrates. Perfect for Windows ecosystem and legacy Windows Media Player. Being superseded by AAC and other formats. Still encountered in Windows-centric environments and older audio collections.

Lossless Formats

ALAC

Apple Lossless Audio Codec - Apple's lossless compression reducing file size 40-60% with zero quality loss. Perfect preservation of original audio like FLAC but in Apple ecosystem. Standard lossless format for iTunes and iOS. Supports high-resolution audio up to 384kHz/32-bit. Smaller than uncompressed but larger than lossy formats. Perfect for iTunes library, audiophile iOS listening, and maintaining perfect quality in Apple ecosystem. Comparable to FLAC but with better Apple integration.

APE

Monkey's Audio - high-efficiency lossless compression achieving better ratios than FLAC (typically 55-60% of original). Perfect quality preservation with zero loss. Free format with open specification. Slower compression/decompression than FLAC. Popular in audiophile communities. Limited player support compared to FLAC. Perfect for archiving when maximum space savings desired while maintaining perfect quality. Best for scenarios where storage space is critical and processing speed is not.

WV

WavPack - hybrid lossless/lossy audio codec with unique correction file feature. Can create lossy file with separate correction file for lossless reconstruction. Excellent compression efficiency. Perfect for flexible audio archiving. Less common than FLAC. Supports high-resolution audio and DSD. Convert to FLAC for universal compatibility.

TTA

True Audio - lossless audio compression with fast encoding/decoding. Similar compression to FLAC with simpler algorithm. Open-source and free format. Perfect quality preservation. Less common than FLAC with limited player support. Perfect for audio archiving when FLAC compatibility not required. Convert to FLAC for broader compatibility.

AIFF

Audio Interchange File Format - Apple's uncompressed audio format, equivalent to WAV but for Mac. Stores PCM audio with perfect quality. Standard audio format for macOS and professional Mac audio applications. Supports metadata tags better than WAV. Large file sizes like WAV (10MB per minute). Perfect for Mac-based audio production, professional recording, and scenarios requiring uncompressed audio on Apple platforms. Interchangeable with WAV for most purposes.

Legacy Formats

MP2

MPEG-1 Audio Layer II - predecessor to MP3 used in broadcasting and DVDs. Better quality than MP3 at high bitrates. Standard audio codec for DVB (digital TV) and DVD-Video. Lower compression efficiency than MP3. Perfect for broadcast applications and DVD authoring. Legacy format being replaced by AAC in modern broadcasting. Still encountered in digital TV and video production workflows.

AC3

Dolby Digital (AC-3) - surround sound audio codec for DVD, Blu-ray, and digital broadcasting. Supports up to 5.1 channels. Standard audio format for DVDs and HDTV. Good compression with multichannel support. Perfect for home theater and video production. Used in cinema and broadcast. Requires Dolby license for encoding.

AMR

Adaptive Multi-Rate - speech codec optimized for mobile voice calls. Excellent voice quality at very low bitrates (4.75-12.2 kbps). Standard for GSM and 3G phone calls. Designed specifically for speech, not music. Perfect for voice recordings, voicemail, and speech applications. Used in WhatsApp voice messages and mobile voice recording. Efficient for voice but inadequate for music.

AU

Sun/NeXT Audio - simple audio format from Sun Microsystems and NeXT Computer. Uncompressed or μ-law/A-law compressed audio. Common on Unix systems. Simple header with audio data. Perfect for Unix audio applications and legacy system compatibility. Found in system sounds and Unix audio files. Convert to WAV or MP3 for modern use.

MID

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RA

RealAudio - legacy streaming audio format from RealNetworks (1990s-2000s). Pioneered internet audio streaming with low-bitrate compression. Obsolete format replaced by modern streaming technologies. Poor quality by today's standards. Convert to MP3 or AAC for modern use. Historical importance in early internet audio streaming.

How to Convert Files

Upload your files, select output format, and download converted files instantly. Our converter supports batch conversion and maintains high quality.

Frequently Asked Questions

What is AAC and is it really better than MP3?

AAC (Advanced Audio Coding) is the successor to MP3, developed in the late 1990s by the MPEG group (including Dolby, Sony, Nokia, AT&T). At the same bitrate, AAC sounds noticeably better than MP3 - roughly equivalent to MP3 at 20-30% higher bitrate. A 128kbps AAC sounds similar to a 160kbps MP3.

Why AAC is better: more efficient compression algorithm, better handling of high frequencies, improved stereo encoding, less audible artifacts at low bitrates. Apple adopted AAC as their standard (iTunes, iPhone, iPod) which drove widespread adoption. YouTube, Spotify, and most streaming services use AAC because it delivers better quality for the same file size.

When should I use AAC instead of MP3?

Choose AAC in these scenarios:

Apple Ecosystem

iTunes, iPhone, iPad, iPod all prefer AAC. Native support, better battery life. M4A is AAC's container format.

Mobile Devices

Most smartphones support AAC with hardware acceleration. Better quality per MB saves mobile data and storage.

Streaming Services

If creating content for YouTube, podcasts, or streaming, AAC is the industry standard. Better quality at lower bitrates.

Low Bitrate Encoding

AAC excels at 128-192kbps where quality matters. At these rates, AAC significantly outperforms MP3.

Use MP3 for maximum compatibility (very old devices, car stereos). Use AAC for better quality, modern devices, Apple products, and streaming applications.

What's the difference between AAC, M4A, and MP4 audio?

These are related but distinct:

AAC (Codec)

The compression algorithm itself. Like JPEG is for images, AAC is the encoding method for audio.

M4A (Container)

File container for AAC audio. M4A = MPEG-4 Audio. Contains AAC-encoded audio plus metadata (tags, artwork).

MP4 (Container)

Video container that can contain AAC audio. MP4 files have video tracks; M4A files are audio-only.

Relationship

AAC codec is stored in M4A container for audio files, or MP4 container for video files. Same audio encoding.

Extension Choice

Use .m4a for audio-only files (music, podcasts). Use .mp4 for video. Both can contain AAC audio streams.

iTunes Files

iTunes uses M4A for non-protected music. Protected iTunes purchases use M4P (same AAC audio, DRM added).

Compatibility

M4A and AAC work on same devices. M4A is just the preferred file extension for AAC audio-only files.

In practice: 'AAC' refers to the codec, 'M4A' is the file you work with. Converting 'to AAC' typically means creating M4A files with AAC encoding.

Can I convert MP3 to AAC for better quality?

No, converting MP3 to AAC doesn't improve quality. MP3 already lost data during compression - AAC can't restore what's gone. You're transcoding lossy to lossy, which actually degrades quality slightly due to double compression artifacts. It's like making a photocopy of a photocopy.

When MP3 to AAC makes sense: if you need AAC format for compatibility (some devices or apps require it), or converting a massive MP3 library to AAC at lower bitrate to save space (accept further quality loss for storage benefits). But understand: this doesn't improve quality, it's about format compatibility.

Right workflow: Always encode to AAC from lossless sources (WAV, FLAC, CD). Keep lossless archives, generate AAC/MP3 from those. If you only have MP3s, keep them as MP3 - re-encoding to AAC wastes processing time and loses quality. Only convert if you have a specific compatibility need.

What AAC bitrate should I use?

For music: 256kbps AAC is excellent quality, transparent for most listeners, and what iTunes uses for purchases. 192kbps AAC is good quality, fine for casual listening, smaller files. 128kbps AAC is acceptable for mobile/streaming but noticeable artifacts on good equipment. 320kbps AAC is overkill - 256kbps is already transparent.

For speech/podcasts: 64-96kbps AAC is perfect, designed for voice, very small files. AAC-HE (High Efficiency) codec is even better for speech at ultra-low bitrates. For audiobooks, 48-64kbps AAC-HE provides excellent voice quality with minimal file size.

Recommendations: 256kbps AAC for archival music (best quality), 192kbps AAC for mobile music (good quality, reasonable size), 128kbps AAC for streaming (bandwidth-friendly), 64-96kbps AAC for podcasts/speech. Higher bitrates waste space without perceptible benefit. Lower bitrates sacrifice too much quality.

Why won't some older devices play AAC files?

AAC was standardized in 1997 but took years to gain hardware support. Very old MP3 players (pre-2005), ancient car stereos (pre-2010), and legacy devices may only support MP3. They lack AAC decoding chips or firmware. If compatibility with old equipment is needed, use MP3 instead.

Modern devices (post-2010) almost universally support AAC. All smartphones, tablets, computers, smart speakers, and current car audio systems handle AAC perfectly. Apple's adoption (2003 iTunes) and Android's native support (2009) made AAC mainstream. By 2015, AAC support became essentially universal.

Workaround: If you have legacy equipment, maintain two libraries - AAC for modern devices (better quality/size), MP3 for old equipment (compatibility). Or convert AAC to MP3 as needed. With storage so cheap, keeping both formats is practical. For new audio, encode to AAC and convert to MP3 only when necessary.

What programs can play and convert AAC files?

Everything plays AAC nowadays! Windows: Windows Media Player, VLC, iTunes, MusicBee, foobar2000, AIMP. Built-in Windows support since Vista. macOS: QuickTime, Music app (iTunes), VLC - native support across all Apple platforms. Linux: VLC, Rhythmbox, Clementine, Audacious, mpv.

Mobile: iPhone/Android have native AAC support. All major music apps work perfectly. For conversion: iTunes (easy but limited), foobar2000 (advanced, Windows), ffmpeg (command line, powerful), Audacity (free, cross-platform), our online converter (easiest, no installation).

Professional tools: Adobe Audition, Logic Pro, FL Studio, Ableton all support AAC export. For batch conversion of large libraries, foobar2000 (Windows) or XLD (Mac) are free and powerful. For one-off conversions or if you don't want to install software, online converters like ours work perfectly.

What are AAC profiles and variants?

AAC comes in different profiles for different uses:

AAC-LC (Low Complexity)

Standard AAC, most common. Good quality, moderate CPU use. What iTunes and most apps use. Default choice.

AAC-HE (High Efficiency)

Optimized for low bitrates (32-96kbps). Perfect for streaming, podcasts, audiobooks. Better than AAC-LC at low bitrates.

AAC-HE v2

Enhanced HE-AAC for ultra-low bitrates (16-48kbps). Used in mobile streaming, internet radio. Parametric stereo for efficiency.

AAC-LD (Low Delay)

Real-time communication (video calls, live streaming). Minimal encoding delay. Not for music storage.

AAC-ELD (Enhanced Low Delay)

Improved LD variant for FaceTime, WebRTC. Better quality with low latency. Specialized real-time use.

For music conversion, use AAC-LC (standard). For podcasts at low bitrates, consider AAC-HE. Other profiles are specialized and rarely needed for file conversion.

Is AAC patent-free and open-source?

No, AAC is patented technology. The patents are held by multiple companies (Via Licensing pool includes Dolby, Sony, AT&T, Nokia, etc.). However, most AAC patents expired in 2020-2023, making AAC essentially free for most uses now. During patent period, hardware manufacturers paid licensing fees.

Open-source implementations: Fraunhofer FDK AAC (high quality, used in Android), FFmpeg AAC encoder (good quality, widely available), FAAC (older, lower quality). These are open-source codecs that implement the AAC standard. Even when patents were active, personal use and open-source software weren't typically enforced against.

Comparison: MP3 patents fully expired in 2017. OGG Vorbis and Opus are completely patent-free and open from inception. AAC's patent status was a concern for open-source projects, but with most patents now expired and liberal licensing during patent period, it's effectively free. For users, AAC licensing has never been a practical concern.

When should I use different AAC variants?

Choose AAC variant based on content and use case:

256kbps AAC-LC

Music archival and high-quality listening. Transparent quality. iTunes standard. Best general choice.

192kbps AAC-LC

Mobile music libraries. Good quality, reasonable size. Balances quality and storage well.

128kbps AAC-LC

Streaming music, mobile data limits. Acceptable quality, small files. Popular for online services.

64-96kbps AAC-HE

Podcasts, speech content, audiobooks. Optimized for voice, very efficient. Better than AAC-LC at low bitrates.

32-48kbps AAC-HE v2

Ultra-low bitrate streaming, internet radio. Minimal bandwidth. Only for voice/simple audio.

320kbps AAC-LC

Overkill. Use only if paranoid. 256kbps is already transparent. Wastes space.

96-128kbps AAC-LC

YouTube uploads, video audio tracks. Balances quality with file size for video platforms.

AAC-LD/ELD

Video calls, live streaming, real-time communication. Low latency critical. Not for file storage.

Match Content

Music needs higher bitrates (192-256kbps AAC-LC). Speech works great at low bitrates (64-96kbps AAC-HE).

Platform Defaults

iTunes uses 256kbps AAC-LC. Spotify uses ~160kbps AAC-LC. YouTube uses ~128kbps AAC-LC. Follow their standards.

Can AAC files have artwork and metadata?

Yes, excellently! AAC files in M4A containers support rich metadata using MP4 tags (also called iTunes tags). You can embed album artwork (JPEG/PNG images), artist, album, title, track numbers, genre, year, composer, lyrics, ratings, and much more. Artwork can be high-resolution and multiple images are supported.

This is a major advantage over MP3's ID3 tags. M4A metadata is more structured, better supported in iTunes/Apple Music, and handles Unicode better (non-English characters). iTunes extensively uses M4A metadata for library organization, making AAC files ideal for managed music libraries with artwork and detailed tagging.

Tools for editing: iTunes/Music app (easy, comprehensive), Mp3tag (Windows/Mac, powerful batch editing), Kid3 (cross-platform, open-source), foobar2000 (Windows, advanced). When converting to AAC, use tools that preserve or allow adding metadata. Our converter handles metadata transfer when converting between formats.

Should I convert my MP3 library to AAC?

Generally no, unless you have specific reasons. Converting MP3 to AAC is transcoding lossy to lossy, which degrades quality slightly. You don't gain anything - the source MP3 already lost information. Converting doesn't improve quality, just changes format while introducing additional artifacts.

When it makes sense: You use exclusively Apple devices and want unified M4A format. You're drastically short on storage and willing to accept quality loss for smaller files (convert to lower bitrate AAC). You have an app/device that requires AAC. Otherwise, keep your MP3s as they are.

Better approach: Keep existing MP3 library as-is. For new music, rip CDs or download in lossless (FLAC/WAV), then encode to both MP3 and AAC from lossless sources. Gradually replace MP3s with AAC as you acquire higher-quality sources. Never transcode lossy to lossy unless absolutely necessary - always convert from lossless sources when possible.

What's the difference between AAC and Apple Lossless (ALAC)?

Completely different! AAC is lossy compression (like MP3) - discards audio data to make smaller files. ALAC (Apple Lossless Audio Codec) is lossless compression (like FLAC) - preserves perfect audio quality while reducing file size. A song might be 3MB as AAC, 30MB as ALAC, 50MB as uncompressed.

Use AAC for: portable devices (smaller files), streaming (bandwidth-friendly), general listening (good quality, practical size). Use ALAC for: archival (perfect quality), audiophile listening (no quality loss), master copies (can convert to anything later). Think of AAC as practical and ALAC as archival.

Many iTunes users maintain dual libraries: ALAC on computer for high-quality listening and archival, AAC 256kbps synced to iPhone/iPod for portability. iTunes makes this easy - convert ALAC to AAC during sync. You get perfect quality at home, practical files on mobile devices, all in Apple's ecosystem.

Why do some AAC files have .aac extension instead of .m4a?

It's about containers. Files with .aac extension contain raw AAC streams without a container (similar to raw .mp3 streams). Files with .m4a extension use the MP4 container, which adds proper metadata support, chapter markers, artwork capability, and better organization. M4A is the preferred and more modern approach.

Raw .aac files: simpler, smaller overhead, used in streaming or temporary files. But limited metadata, no artwork, poor tool support. .m4a files: proper container with metadata, artwork, chapters. Better software support, iTunes compatible, professional format. Slightly larger due to container overhead (negligible difference).

Recommendation: Use M4A format (.m4a extension) for music files and archival. The container benefits (metadata, artwork, better compatibility) far outweigh the tiny size overhead. Raw .aac files are mainly for streaming internals or specific technical applications. When converting to AAC, always choose M4A output.

Should I use AAC or MP3 for my music?

Use AAC if you primarily use Apple devices (iPhone, iPad, Mac), want better quality at same bitrate, care about efficient mobile storage, or are encoding at lower bitrates (128-192kbps where AAC shines). Use MP3 if you need maximum compatibility with old devices, share music with others (MP3 plays everywhere), or use platforms that prefer MP3.

The quality difference: At 256kbps, both AAC and MP3 are excellent - most people can't tell the difference. At 128-192kbps, AAC is noticeably better. At 320kbps, both are essentially transparent (indistinguishable from original). For modern use cases, the quality difference is often negligible unless you're at lower bitrates where AAC's efficiency matters.

Future-proof approach: Maintain lossless archives (FLAC or ALAC), generate AAC/MP3 as needed. If forced to choose one lossy format: AAC for Apple ecosystem, better quality, and modern devices. MP3 for maximum compatibility, sharing with others, and legacy support. With cheap storage, maintaining both from lossless sources is practical and gives best flexibility.