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Supported Formats
Convert between all major file formats with high quality
Common Formats
MPEG-4 Part 14 - the most universal video format worldwide supporting H.264, H.265 (HEVC), and various audio codecs. Perfect balance of quality, compression, and compatibility. Plays on virtually every device (phones, tablets, computers, TVs, game consoles). Standard for YouTube, streaming services, and video sharing. Supports chapters, subtitles, and multiple audio tracks. Industry standard since 2001. Perfect for any video distribution scenario.
Audio Video Interleave - legacy Windows multimedia container format from 1992. Flexible container supporting virtually any codec. Larger file sizes than modern formats. Universal compatibility with Windows software and older devices. Simple structure making it easy to edit. Common in video editing and legacy content. Being replaced by MP4 and MKV but still widely supported. Perfect for maximum compatibility with older Windows systems and software.
Matroska - flexible open-source container supporting unlimited video/audio tracks, subtitles, chapters, and metadata. Can contain any codec (H.264, H.265, VP9, AV1). Perfect for high-quality video archival with multiple audio languages and subtitle tracks. Popular for HD/4K movies and Blu-ray rips. Supports advanced features like ordered chapters and menu systems. Excellent for complex multi-track videos. Standard format for high-quality video collections.
QuickTime Movie - Apple's multimedia container format with excellent quality and editing capabilities. Native format for macOS and iOS devices. Supports various codecs including ProRes for professional video. High-quality preservation suitable for editing. Larger file sizes than compressed formats. Perfect for video production on Mac, professional editing, and scenarios requiring maximum quality. Standard format for Final Cut Pro and professional Mac workflows.
Windows Media Video - Microsoft's video codec and container format optimized for Windows Media Player. Good compression with acceptable quality. Native Windows support and streaming capabilities. Various versions (WMV7, WMV8, WMV9/VC-1). Used for Windows-based streaming and video distribution. Being superseded by MP4 and other formats. Perfect for legacy Windows systems and corporate environments using Windows Media infrastructure. Still encountered in Windows-centric content.
Flash Video - legacy format for Adobe Flash Player used extensively for web video (2000s). Enabled YouTube's early growth and online video streaming. Now obsolete due to Flash discontinuation (2020). Small file sizes with acceptable quality for the era. No longer recommended for new projects. Convert to MP4 or WebM for modern compatibility. Historical format important for archival but not for new content.
Web Formats
WebM - open-source video format developed by Google specifically for HTML5 web video. Uses VP8/VP9/AV1 video codecs with Vorbis/Opus audio. Royalty-free with no licensing costs. Optimized for streaming with efficient compression. Native support in all modern browsers. Smaller file sizes than H.264 at similar quality. Perfect for web videos, HTML5 players, and open-source projects. Becoming standard for web-native video content.
Ogg Video - open-source video format from Xiph.Org Foundation using Theora video codec and Vorbis/Opus audio. Free from patents and licensing fees. Used in open-source projects and HTML5 video. Comparable quality to early H.264 but superseded by VP9 and AV1. Declining usage in favor of WebM. Perfect for open-source applications requiring free codecs. Convert to WebM or MP4 for better compatibility and quality. Historical importance in open video standards.
MPEG-4 Video - Apple's variant of MP4 for iTunes and iOS with optional DRM protection. Nearly identical to MP4 but may contain FairPlay DRM. Used for iTunes Store purchases and Apple TV content. Supports H.264/H.265 video and AAC audio. Includes chapter markers and metadata. Convert to MP4 for broader compatibility (if DRM-free). Perfect for iTunes library and Apple ecosystem. Essentially MP4 with Apple-specific features.
Professional Formats
MPEG - legacy video format using MPEG-1 or MPEG-2 compression. Standard for Video CDs and DVDs. Good quality with moderate compression. Universal compatibility with older devices. Larger files than modern formats. Perfect for DVD compatibility and legacy systems. Being replaced by MP4. Convert to MP4 for better compression and compatibility.
MPEG Video - generic MPEG format (MPEG-1/2/4) used for various video applications. Container for MPEG video standards. Common in broadcasting and DVD authoring. Various quality levels depending on MPEG version. Perfect for broadcast and professional video. Modern equivalent is MP4. Convert to MP4 for contemporary use.
Video Object - DVD video container format containing MPEG-2 video and AC-3/PCM audio. Part of DVD-Video specification. Encrypted with CSS on commercial DVDs. Includes subtitles, menu data, and multiple audio tracks. Large file sizes with maximum quality for DVD. Perfect for DVD authoring and DVD backup. Convert to MP4 or MKV for smaller file sizes and broader playback compatibility.
AVCHD Video - high-definition video format from Sony/Panasonic HD camcorders. Uses MPEG-4 AVC/H.264 compression with .mts extension. Part of AVCHD (Advanced Video Coding High Definition) standard. Full HD 1080p/1080i recording. Perfect for camcorder footage preservation. Convert to MP4 for easier editing and sharing. Standard format from Sony, Panasonic, and Canon HD camcorders.
Blu-ray MPEG-2 Transport Stream - Blu-ray disc video format containing H.264, MPEG-2, or VC-1 video. High-quality HD/4K video with up to 40Mbps bitrate. Used on Blu-ray discs and AVCHD camcorders. Supports multiple audio tracks and subtitles. Perfect for Blu-ray backup and high-quality archival. Convert to MP4 or MKV for smaller file sizes. Premium quality format for HD/4K content.
Mobile Formats
3rd Generation Partnership Project - mobile video format designed for 3G phones with small file sizes and low bitrates. Optimized for limited mobile bandwidth and processing power. Supports H.263, MPEG-4, and H.264 video. Very small file sizes (10-100KB per minute). Legacy format from early smartphone era. Being replaced by MP4 for mobile video. Still useful for extremely low-bandwidth scenarios. Convert to MP4 for modern devices.
3GPP2 - mobile video format for CDMA2000 3G phones. Similar to 3GP but for CDMA networks (Verizon, Sprint). Very small file sizes optimized for mobile networks. Supports H.263, MPEG-4, and H.264 video. Legacy mobile format. Convert to MP4 for modern devices. Superseded by standard MP4.
Legacy Formats
RealMedia - proprietary streaming format from RealNetworks (1990s-2000s). Optimized for low-bandwidth streaming. Poor quality by modern standards. Obsolete format with limited player support. Convert to MP4 for modern playback. Historical importance in early internet video streaming.
RealMedia Variable Bitrate - improved RealMedia format with variable bitrate encoding. Better quality than RM at similar file sizes. Popular in Asia for video distribution. Obsolete format requiring RealPlayer. Convert to MP4 or MKV for modern compatibility. Legacy format from RealNetworks.
Advanced Systems Format - Microsoft's streaming media container for Windows Media. Used for WMV and WMA streaming. Supports live streaming and DRM protection. Common in Windows Media Services. Being replaced by modern streaming technologies. Convert to MP4 for universal compatibility. Microsoft legacy streaming format.
Shockwave Flash - Adobe Flash animation and video format. Interactive multimedia content with vector graphics and scripting. Obsolete since Flash end-of-life (December 2020). Security risks from Flash Player. Convert videos to MP4, animations to HTML5/SVG. Historical format from web animation era.
How to Convert Files
Upload your files, select output format, and download converted files instantly. Our converter supports batch conversion and maintains high quality.
Frequently Asked Questions
What is DivX and why was it important?
DivX is video codec from early 2000s that revolutionized video piracy and home video. Based on MPEG-4 Part 2 (like Microsoft's MPEG-4 v3), DivX achieved decent quality at file sizes small enough for CD burning and early broadband. Before DivX, full-length movies required multiple CDs or weren't shareable online. DivX compressed DVD-quality movie to ~700MB (single CD). This enabled underground movie sharing scene and frustrated Hollywood studios. Technical achievement married with copyright controversy.
Historical context: Late 1990s-early 2000s, bandwidth and storage were scarce. DVD too big to share (4-8GB), needed compression. DivX arrived at perfect moment - broadband adoption accelerating, CD burners becoming affordable, P2P networks (Napster, Kazaa) exploding. Format became standard for pirated movies. "DivX rip" meant DVD-to-CD conversion using DivX codec. Legal sales: standalone DivX players for home theater emerged. Format bridged DVD era and digital streaming era. Temporary but significant cultural phenomenon.
What's the difference between DivX and Xvid?
Related but competing codecs:
DivX = Commercial
DivX is proprietary codec from DivX Networks (later DivX LLC). Commercial product with free version plus paid Pro features. Closed-source development. Company monetized through codec sales, DivX Certified players, premium features.
Xvid = Open Source
Xvid created as open-source alternative to DivX ("DivX" spelled backwards). GPL licensed, community developed. Free forever with all features. Response to DivX becoming increasingly commercial. Same underlying technology (MPEG-4 ASP) but different implementations.
Quality Comparison
At equivalent settings, quality very similar - both use MPEG-4 ASP. Xvid sometimes edges ahead in quality tests due to community optimization. Practical differences minimal - average viewer couldn't tell apart. Choose based on philosophy (commercial vs open-source) not quality.
Compatibility
DivX players play Xvid files (same codec family). Xvid players play DivX files. Hardware players marketed as "DivX Certified" support both. Software players (VLC, MPC) handle both identically. Formats interchangeable from user perspective.
DivX vs Xvid debate was philosophical (open vs closed source) not technical. Both obsolete now - replaced by H.264. If you have either format, convert to MP4.
How do I convert DivX/Xvid to MP4?
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Why do DivX files have weird codecs and won't play?
Codec pack hell: Early 2000s required installing codec packs to play DivX files. K-Lite Codec Pack, XviD codec, AC3Filter, etc. Codec conflicts common - different versions fought each other. Codec hell was real problem. Some DivX files used obscure audio codecs (AC3, Vorbis) that needed separate installation. Playing downloaded movies required codec scavenger hunt. Malware-laden fake codec packs everywhere. Dangerous ecosystem.
Modern solution - VLC: VLC Media Player has all codecs built-in. Plays DivX, Xvid, and associated audio formats without external codecs. Free, safe, no codec pack needed. Download from videolan.org only - fake VLC downloads exist. VLC solves 95% of DivX playback problems. If VLC won't play file, file is corrupted or uses extremely unusual codec. Convert to MP4 instead of troubleshooting ancient format.
Why Windows Media Player fails: WMP doesn't include DivX/Xvid codecs by default. Requires codec pack installation or won't play files. Microsoft never bundled third-party codecs. This drove users to VLC and other players. Don't fight WMP limitations - use VLC or convert to MP4. Codec packs are outdated solution. Modern approach: use player with built-in codecs or convert files to modern format.
Can modern devices play DivX/Xvid files?
Computer playback - yes: Desktop/laptop computers play DivX/Xvid with VLC or MPlayer. Codec support universal in media player software. Performance fine - older codec easier to decode than H.264. No compatibility issues on computers. Windows, Mac, Linux all handle DivX/Xvid through various players. Desktop compatibility excellent.
Mobile/smart devices - poor: Smartphones don't have native DivX/Xvid support. Apps might play files but performance spotty. Smart TVs ignore DivX/Xvid unless specifically "DivX Certified" (marketing from 2000s). Streaming devices (Roku, Fire TV, Chromecast) don't support DivX/Xvid. Game consoles mixed support. Modern devices expect MP4/H.264. DivX was last decade's format - new hardware moved on.
Practical recommendation: Convert DivX/Xvid collection to MP4 for device compatibility. One-time conversion enables playback everywhere. Fighting format adoption is frustrating. Modern world is MP4 - join it. Keep DivX/Xvid originals on backup drive if nostalgic, use MP4 conversions for actual viewing. Future-proof your video library with current formats.
What happened to DivX Certified devices?
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Can I edit DivX/Xvid files in video editors?
Desktop editors support with caveats: Premiere Pro, Final Cut Pro, DaVinci Resolve import DivX/Xvid files. However, editing performance poor - MPEG-4 ASP isn't optimized for editing. GOP structure makes frame-accurate cuts difficult. Timeline scrubbing slow. Codec predates modern editing workflows. Technically works but experience is frustrating. Professional editors expect ProRes, DNxHD, or intra-frame H.264.
Transcode first: Convert DivX/Xvid to editing codec before editing. ProRes or DNxHD for professional editing, MP4 intra-frame for simple edits. `ffmpeg -i input.avi -c:v prores -profile:v 2 output.mov` creates ProRes. File becomes much larger but editing smoothly. Export final project to H.264 MP4. Never edit distribution formats directly - always transcode acquisition formats to editing formats. Professional workflow 101.
Consumer editors struggle: iMovie, Windows Movie Maker (discontinued) had poor DivX/Xvid support. Modern consumer editors assume MP4/H.264. DivX/Xvid support declining as format becomes obsolete. Convert to MP4 before importing to consumer editors. Eliminates compatibility headaches and improves performance. DivX/Xvid are playback codecs, not editing codecs. Respect the distinction.
Why did DivX/Xvid lose to H.264?
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Are DivX files legal?
Codec is legal, content varies: DivX codec itself is legal technology. Nothing illegal about compression algorithm. However, format became synonymous with piracy because primary use was compressing copyrighted movies for sharing. "DivX rip" almost always meant unauthorized copy. Guilt by association - format's reputation tied to piracy. But personal use (ripping your own DVDs) is legal in most regions.
Piracy ecosystem: DivX enabled movie piracy golden age (2000-2010). Before streaming, downloading was main piracy method. DivX made file sizes manageable. Entire underground economy around DivX encoding, releasing, sharing. Studios fought back with lawsuits, DRM, enforcement. DivX wasn't cause of piracy but enabled its scale. Technology is neutral, usage determines legality.
Modern perspective: If you have DivX collection from personal DVD rips, legal in most places (for personal use). If downloaded copyrighted movies, technically illegal but rarely enforced for personal collections. Don't share, don't profit, keep for personal viewing. Statute of limitations expired on 2000s downloads anyway. Today, piracy moved to streaming (Popcorn Time, etc.) making DivX files historical artifacts. Legal ambiguity of old collections is low priority for enforcement.
What's better, DivX or Xvid?
Marginal differences, both obsolete:
Quality Tests
Side-by-side comparisons show minimal quality difference at equivalent bitrates. Xvid sometimes wins by small margin in blind tests. Encoder settings matter more than codec choice. Both produce acceptable SD quality. Neither competitive with H.264.
Feature Set
DivX Pro had additional features (DivX Media Format, menus, multiple audio tracks). Xvid remained focused on core codec. For basic video encoding, features irrelevant. For advanced uses, DivX offered more tools. But most users never needed Pro features.
Philosophy
Xvid wins on principle - open-source, free, community-developed. DivX commercialized and added paid tiers. If choosing codec for ideological reasons, Xvid better choice. However, both dead formats today. Philosophy doesn't matter for obsolete technology.
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Can I upload DivX/Xvid to YouTube or social media?
YouTube transcodes it: YouTube accepts AVI files containing DivX/Xvid and transcodes to their delivery formats. However, transcoding from DivX/Xvid less optimized than from H.264 source. Potential quality loss during conversion. YouTube recommends uploading H.264 MP4 for best results. Can upload DivX/Xvid but better to convert to MP4 locally first - more control over quality.
Social media rejection: Facebook, Instagram, TikTok, Twitter reject DivX/Xvid files or produce errors. These platforms expect MP4/H.264 uploads. Don't waste time troubleshooting - convert to MP4 before uploading. Social media infrastructure optimized for formats they expect. Feeding unusual formats causes problems.
Best practice: Convert DivX/Xvid to H.264 MP4 before uploading anywhere. Ensures best quality transcoding, fastest processing, most reliable uploads. Small effort locally saves problems on server side. Platform transcoding is black box - do your own conversion for control. Master format is H.264 MP4 for modern internet.
Why are DivX files always in AVI containers?
Historical association: Early DivX releases (early 2000s) used AVI container because widespread and simple. Windows native support for AVI. Tools like VirtualDub (popular encoder) output AVI. Association became convention - DivX = AVI in practice. However, DivX codec technically works in other containers (MP4, MKV). AVI just became standard due to ecosystem inertia.
AVI limitations: AVI container has limitations - poor subtitle support, no chapter support, limited metadata. These limitations didn't matter for piracy use case (just play movie). MKV container technically superior but came later and wasn't adopted by DivX community. By time MKV appeared, H.264 was replacing DivX anyway. AVI worked well enough for DivX's lifespan.
Modern files might use MKV: Later DivX/Xvid releases sometimes used MKV container for better features. But AVI remains most common. If you see .mkv file with DivX/Xvid, same codec different wrapper. Convert to MP4 regardless of source container. Modern standard is MP4 with H.264 - move toward that.
Do I need DivX codec installed to play DivX files?
Not with VLC: VLC Media Player has DivX/Xvid decoders built-in. No codec installation required. Download VLC (free, safe) and play files immediately. This is easiest, safest solution. Avoid codec packs - malware risk and unnecessary complexity. VLC handles everything. Works on Windows, Mac, Linux. Universal solution.
Windows Media Player requires codec: WMP doesn't include DivX/Xvid by default. Options: install K-Lite Codec Pack (risky, get from official site only) or just use VLC instead. Codec pack installs system-level decoders WMP can use. However, codec conflicts possible. Better to avoid codec packs entirely. Switch to VLC.
Modern approach - convert files: Instead of installing codecs, convert DivX/Xvid files to MP4. Then they play natively everywhere without special software. Future-proof solution. Codec installation is 2000s thinking. Modern approach: standardize on universal formats. Convert once, play everywhere. Stop maintaining legacy codec infrastructure.
What is DivX Plus and should I care?
DivX company's evolution attempt: DivX Plus (2010s) was DivX Networks' attempt to stay relevant as H.264 replaced DivX codec. Included H.264 encoder, DivX Media Format (.divx container), menu support, multiple audio tracks, chapters. Basically tried to compete with Blu-ray feature set. Failed to gain traction - too late, format already obsolete.
Technical improvements: DivX Plus profiles included H.264 High Profile encoding - finally admitting defeat to H.264 and adopting it. DivX codec itself wasn't abandoned but de-emphasized. Company pivoted to software player and content platform. However, market had moved to streaming. DivX Plus was final gasp of download-and-play era. Streaming killed it.
Should you care? No: DivX Plus never achieved meaningful adoption. If you encounter DivX Plus files, convert to standard MP4. Don't invest in dead ecosystem. DivX Plus was attempt to remain relevant that failed. Proprietary container (.divx) has no advantages over MP4. Company legacy but not user-relevant technology. Ignore and use MP4.
Should I keep my DivX/Xvid collection or convert everything?
Convert for compatibility: DivX/Xvid files work on computers but fail on mobile devices, smart TVs, browsers. Converting to MP4 enables universal playback. One-time effort, permanent benefit. Storage savings too - H.264 at equivalent quality is 40-50% smaller. Convert 100GB DivX collection, get 50GB MP4 collection that works everywhere. Clear win.
Nostalgic preservation: If DivX collection has sentimental value (memories of early internet, piracy golden age, building collection), keep originals on backup drive. Create MP4 conversions for actual use. Digital archaeologist approach - preserve format as historical artifact while using modern version for daily life. Storage is cheap, can keep both. However, for purely functional purposes, delete DivX after conversion.
Practical recommendation: Batch convert with HandBrake or FFmpeg. Verify random samples look good. Use MP4 conversions going forward. Delete DivX originals unless storage unlimited or historical interest. DivX served well in its era (2000-2010) but that era ended. Migrate to current formats while content still accessible. Don't wait until decoder support disappears. Format migration is digital hygiene. Convert now, thank yourself later.