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Supported Formats
Convert between all major file formats with high quality
Common Formats
MPEG-1 Audio Layer III - the most universal audio format worldwide, using lossy compression to reduce file sizes by 90% while maintaining excellent perceived quality. Perfect for music libraries, podcasts, portable devices, and any scenario requiring broad compatibility. Supports bitrates from 32-320kbps. Standard for digital music since 1993, playable on virtually every device and platform.
Waveform Audio File Format - uncompressed PCM audio providing perfect quality preservation. Standard Windows audio format with universal compatibility. Large file sizes (10MB per minute of stereo CD-quality). Perfect for audio production, professional recording, mastering, and situations requiring zero quality loss. Supports various bit depths (16, 24, 32-bit) and sample rates. Industry standard for professional audio work.
Ogg Vorbis - open-source lossy audio codec offering quality comparable to MP3/AAC at similar bitrates. Free from patents and licensing restrictions. Smaller file sizes than MP3 at equivalent quality. Used in gaming, open-source software, and streaming. Supports variable bitrate (VBR) for optimal quality. Perfect for applications requiring free codecs and good quality. Growing support in media players and platforms.
Advanced Audio Coding - successor to MP3 offering better quality at same bitrate (or same quality at lower bitrate). Standard audio codec for Apple devices, YouTube, and many streaming services. Supports up to 48 channels and 96kHz sample rate. Improved frequency response and handling of complex audio. Perfect for iTunes, iOS devices, video streaming, and modern audio applications. Part of MPEG-4 standard widely supported across platforms.
Free Lossless Audio Codec - compresses audio 40-60% without any quality loss. Perfect bit-for-bit preservation of original audio. Open-source format with no patents or licensing fees. Supports high-resolution audio (192kHz/24-bit). Perfect for archiving music collections, audiophile listening, and scenarios where quality is paramount. Widely supported by media players and streaming services. Ideal balance between quality and file size.
MPEG-4 Audio - AAC or ALAC audio in MP4 container. Standard audio format for Apple ecosystem (iTunes, iPhone, iPad). Supports both lossy (AAC) and lossless (ALAC) compression. Better quality than MP3 at same file size. Includes metadata support for artwork, lyrics, and rich tags. Perfect for iTunes library, iOS devices, and Apple software. Widely compatible across platforms despite Apple association. Common format for purchased music and audiobooks.
Windows Media Audio - Microsoft's proprietary audio codec with good compression and quality. Standard Windows audio format with native OS support. Supports DRM for protected content. Various profiles (WMA Standard, WMA Pro, WMA Lossless). Comparable quality to AAC at similar bitrates. Perfect for Windows ecosystem and legacy Windows Media Player. Being superseded by AAC and other formats. Still encountered in Windows-centric environments and older audio collections.
Lossless Formats
Apple Lossless Audio Codec - Apple's lossless compression reducing file size 40-60% with zero quality loss. Perfect preservation of original audio like FLAC but in Apple ecosystem. Standard lossless format for iTunes and iOS. Supports high-resolution audio up to 384kHz/32-bit. Smaller than uncompressed but larger than lossy formats. Perfect for iTunes library, audiophile iOS listening, and maintaining perfect quality in Apple ecosystem. Comparable to FLAC but with better Apple integration.
Monkey's Audio - high-efficiency lossless compression achieving better ratios than FLAC (typically 55-60% of original). Perfect quality preservation with zero loss. Free format with open specification. Slower compression/decompression than FLAC. Popular in audiophile communities. Limited player support compared to FLAC. Perfect for archiving when maximum space savings desired while maintaining perfect quality. Best for scenarios where storage space is critical and processing speed is not.
WavPack - hybrid lossless/lossy audio codec with unique correction file feature. Can create lossy file with separate correction file for lossless reconstruction. Excellent compression efficiency. Perfect for flexible audio archiving. Less common than FLAC. Supports high-resolution audio and DSD. Convert to FLAC for universal compatibility.
True Audio - lossless audio compression with fast encoding/decoding. Similar compression to FLAC with simpler algorithm. Open-source and free format. Perfect quality preservation. Less common than FLAC with limited player support. Perfect for audio archiving when FLAC compatibility not required. Convert to FLAC for broader compatibility.
Audio Interchange File Format - Apple's uncompressed audio format, equivalent to WAV but for Mac. Stores PCM audio with perfect quality. Standard audio format for macOS and professional Mac audio applications. Supports metadata tags better than WAV. Large file sizes like WAV (10MB per minute). Perfect for Mac-based audio production, professional recording, and scenarios requiring uncompressed audio on Apple platforms. Interchangeable with WAV for most purposes.
Modern Formats
Opus Audio Codec - modern open-source codec (2012) offering best quality at all bitrates from 6kbps to 510kbps. Excels at both speech and music. Lowest latency of modern codecs making it perfect for VoIP and real-time communication. Superior to MP3, AAC, and Vorbis at equivalent bitrates. Used by WhatsApp, Discord, and WebRTC. Ideal for streaming, voice calls, podcasts, and music. Becoming the universal audio codec for internet audio.
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Matroska Audio - audio-only Matroska container supporting any audio codec. Flexible format with metadata support. Can contain multiple audio tracks. Perfect for audio albums with chapters and metadata. Part of Matroska multimedia framework. Used for audiobooks and multi-track audio. Convert to FLAC or MP3 for universal compatibility.
Legacy Formats
MPEG-1 Audio Layer II - predecessor to MP3 used in broadcasting and DVDs. Better quality than MP3 at high bitrates. Standard audio codec for DVB (digital TV) and DVD-Video. Lower compression efficiency than MP3. Perfect for broadcast applications and DVD authoring. Legacy format being replaced by AAC in modern broadcasting. Still encountered in digital TV and video production workflows.
Dolby Digital (AC-3) - surround sound audio codec for DVD, Blu-ray, and digital broadcasting. Supports up to 5.1 channels. Standard audio format for DVDs and HDTV. Good compression with multichannel support. Perfect for home theater and video production. Used in cinema and broadcast. Requires Dolby license for encoding.
Adaptive Multi-Rate - speech codec optimized for mobile voice calls. Excellent voice quality at very low bitrates (4.75-12.2 kbps). Standard for GSM and 3G phone calls. Designed specifically for speech, not music. Perfect for voice recordings, voicemail, and speech applications. Used in WhatsApp voice messages and mobile voice recording. Efficient for voice but inadequate for music.
Sun/NeXT Audio - simple audio format from Sun Microsystems and NeXT Computer. Uncompressed or μ-law/A-law compressed audio. Common on Unix systems. Simple header with audio data. Perfect for Unix audio applications and legacy system compatibility. Found in system sounds and Unix audio files. Convert to WAV or MP3 for modern use.
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RealAudio - legacy streaming audio format from RealNetworks (1990s-2000s). Pioneered internet audio streaming with low-bitrate compression. Obsolete format replaced by modern streaming technologies. Poor quality by today's standards. Convert to MP3 or AAC for modern use. Historical importance in early internet audio streaming.
Specialized Formats
DTS Coherent Acoustics - surround sound codec competing with Dolby Digital. Higher bitrates than AC-3 with potentially better quality. Used in DVD, Blu-ray, and cinema. Supports up to 7.1 channels and object-based audio. Perfect for high-quality home theater. Premium audio format for video distribution. Convert to AC-3 or AAC for broader compatibility.
Core Audio Format - Apple's container for audio data on iOS and macOS. Supports any audio codec and unlimited file sizes. Modern replacement for AIFF on Apple platforms. Perfect for iOS app development and professional Mac audio. No size limitations (unlike WAV). Can store multiple audio streams. Convert to M4A or MP3 for broader compatibility outside Apple ecosystem.
VOC (Creative Voice File) - audio format from Creative Labs Sound Blaster cards. Popular in DOS era (1989-1995) for games and multimedia. Supports multiple compression formats and blocks. Legacy PC audio format. Common in retro gaming. Convert to WAV or MP3 for modern use. Important for DOS game audio preservation.
Speex - open-source speech codec designed for VoIP and internet audio streaming. Variable bitrate from 2-44 kbps. Optimized for speech with low latency. Better than MP3 for voice at low bitrates. Being superseded by Opus. Perfect for voice chat, VoIP, and speech podcasts. Legacy format replaced by Opus in modern applications.
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How to Convert Files
Upload your files, select output format, and download converted files instantly. Our converter supports batch conversion and maintains high quality.
Frequently Asked Questions
What is NIST SPHERE SPH format?
SPH (SPHERE file format) is audio format created by NIST (National Institute of Standards and Technology) for speech research and standardized speech corpus distribution. SPHERE stands for 'Speech Header Resources' - it's specialized format designed for linguistic research, speech recognition development, and phonetic analysis. SPH files were standard format for major speech databases like TIMIT, Switchboard, Fisher Corpus, and countless academic speech datasets from 1980s onwards.
Technical structure: SPH files have ASCII text header (human-readable) containing detailed metadata - sample rate, channel count, encoding type, recording conditions, speaker demographics, transcription information. Header is followed by audio data (typically PCM, μ-law, or ADPCM). This rich metadata made SPH perfect for research - every recording documented comprehensively. Format was designed for reproducible science, not consumer audio.
Should I convert SPH to WAV or MP3?
Converting SPH makes sense for these reasons:
Research Tool Access
Modern audio analysis tools expect WAV/FLAC. SPH is obsolete research format. Convert for compatibility with current software.
Metadata Extraction
SPH header contains valuable research metadata. Extract to CSV/JSON during conversion to preserve information separately from audio.
Machine Learning Prep
ML frameworks (TensorFlow, PyTorch) use WAV/FLAC for training speech models. Convert SPH corpora for modern ML pipelines.
Archival Standard
WAV/FLAC are long-term preservation formats. SPH is research format with declining tool support. Convert for future-proofing.
Convert SPH to WAV for maximum compatibility. Extract metadata to separate files (CSV/JSON) to preserve research context alongside audio.
How do I convert SPH to WAV?
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What audio quality is SPH format?
Varies by corpus and research purpose: Telephone speech corpora (Switchboard) are 8kHz μ-law (telephone bandwidth quality) - acceptable for telephony research, poor by music standards. Studio speech recordings (TIMIT) are 16kHz 16-bit PCM (high-quality speech) - clear, detailed, professional recording quality. Broadcast corpora might be 16kHz or 48kHz depending on source material. SPH format supports wide range of specifications.
Research requirements dictate quality: Speech recognition research doesn't need hi-fi - intelligibility matters more than fidelity. Many SPH files are telephone quality because that's real-world condition for speech recognition systems. Higher quality (16kHz+) used for phonetic analysis where acoustic detail matters. SPH wasn't limited by format - it was limited by research design choices.
Lossless within specs: SPH with PCM encoding is lossless (bit-perfect audio preservation). SPH with μ-law/ADPCM is lossy but conversion to WAV doesn't add further loss - you get maximum quality possible from compressed source. Shorten compression (lossless) sometimes used in SPH files for storage efficiency. Converting decompresses audio perfectly. Audio quality matches source recording, not format limitations.
Why was NIST SPHERE format created?
Standardization need: 1980s speech research suffered from format chaos - every lab used different formats, incompatible tools, inconsistent metadata. NIST created SPHERE to standardize speech corpus distribution. Common format enabled reproducible research - scientists could share data, replicate experiments, compare results. SPHERE provided comprehensive metadata structure documenting recording conditions, speaker characteristics, transcriptions - crucial for scientific validity.
Government role: NIST (US government agency) develops measurement standards and reference materials. SPHERE was reference format for speech research, enabling benchmarking and evaluation. DARPA speech recognition programs and NIST evaluation campaigns used SPHERE as standard. This government backing drove adoption in academic and commercial speech research. Format had institutional authority, not just technical merit.
Research community adoption: SPHERE succeeded because major corpora (TIMIT, Switchboard, Fisher) were distributed in SPHERE format. Researchers needed these datasets, so they adopted SPHERE-compatible tools. Network effect - everyone used SPHERE because everyone else used SPHERE. Format became de facto standard for speech research corpora through 1990s-2000s.
Can modern audio software open SPH files?
Limited support: Audacity doesn't natively open SPH. Pro Tools, Logic, Ableton - none support SPH. Consumer/music audio applications never implemented SPHERE because it's research format. They had no reason to support ultra-niche academic format. SPH is outside their target use cases entirely.
Specialized tools only: Speech research software (Praat, WaveSurfer, SFS/WASP) often support SPH directly. These are acoustic analysis tools for linguists, not general audio editors. SoX and FFmpeg (command-line conversion tools) handle SPH. But mainstream audio software doesn't and won't - market too small.
Conversion workflow necessary: Treat SPH as source format requiring conversion before use in standard tools. Convert to WAV with SoX, then analyze in any audio software. One-time conversion enables normal workflow. Fighting SPH's obscurity by demanding broad software support is futile - convert and move on.
How do I extract metadata from SPH headers?
Manual inspection: SPH headers are ASCII text. Open file in text editor (Notepad, vim, etc.), read first ~1024 bytes. You'll see key-value pairs: sample_count, sample_rate, channel_count, sample_coding, database_id, speaker_id, etc. Human-readable format means metadata is immediately accessible. Copy relevant information to spreadsheet or notes.
sph2pipe tool: `sph2pipe -h input.sph` displays header contents. Redirect to file: `sph2pipe -h input.sph > metadata.txt`. This extracts header programmatically. For batch processing, script this to create CSV of metadata for entire corpus. Python scripts can parse SPH headers using simple text processing.
Preserve metadata during conversion: When converting SPH to WAV, metadata is lost (WAV has minimal metadata structure compared to SPHERE). Document SPH metadata separately - create CSV with columns for filename, sample_rate, speaker_id, database, transcription, etc. This maintains research context alongside audio files. Metadata is often more valuable than audio itself for research purposes.
What speech corpora use SPH format?
Major speech databases in SPHERE format:
TIMIT (1986)
Acoustic-phonetic speech corpus. 630 speakers, 8 dialects. Classic speech recognition benchmark. Studio-quality 16kHz recordings.
Switchboard (1992)
Telephone conversation corpus. 2400+ speakers. Real-world speech recognition research. 8kHz telephone quality.
Fisher Corpus (2004)
Massive telephone speech collection. 16,000+ speakers, 23,000 hours. Conversational English. Industry standard for ASR training.
CALLHOME (1996)
Multi-language telephone conversations. Arabic, Chinese, English, German, Japanese, Spanish. Cross-linguistic research.
NIST Evaluations
Speaker recognition, language recognition, speech-to-text evaluations. Test sets for algorithm benchmarking.
These corpora shaped modern speech recognition and are still referenced in ML papers. Converting SPH enables access to foundational datasets.
Why is SPH format declining in use?
Machine learning shift: Modern speech ML uses PyTorch/TensorFlow data loaders expecting WAV/FLAC. SPH requires custom readers or preprocessing. Neural network era favors standard formats over research-specific formats. Convenience wins - researchers convert SPH to WAV once rather than fighting toolchain compatibility repeatedly.
NIST maintenance lapse: SPHERE format hasn't evolved significantly since 1990s. No updates for new metadata needs (neural network annotations, embedding spaces, attention weights). Format feels frozen in pre-ML era. New corpora (LibriSpeech, Common Voice, VoxCeleb) use WAV/FLAC with JSON metadata, not SPHERE. Community moved on.
Open data movement: Modern speech datasets emphasize accessibility and open science. WAV/FLAC with documented structure (JSON metadata) is more accessible than SPHERE with specialized tools. Reducing barriers to entry matters for democratizing research. SPH represents old academic culture; modern culture favors simplicity and openness.
Can I create new SPH files or is format legacy-only?
Creating SPH files is possible but not recommended:
No Software Ecosystem
ML frameworks, speech tools, research platforms all use WAV/FLAC. Creating SPH creates compatibility problems.
Metadata Better as JSON
SPH metadata structure is rigid. Modern projects use flexible JSON/YAML with audio files. More adaptable to custom needs.
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How do I batch convert SPH corpus to WAV?
SoX bash script: `for f in *.sph; do sox "$f" "${f%.sph}.wav"; done` converts all SPH in directory. For Linux/Mac. Preserves filenames, changes extension. Run in corpus directory - outputs WAV files alongside originals. Simple, effective, standard approach in speech research.
PowerShell for Windows: `Get-ChildItem -Filter *.sph | ForEach-Object { sox $_.Name "$($_.BaseName).wav" }` accomplishes same task. Windows-native scripting. Install SoX first (http://sox.sourceforge.net/). Test on few files before processing entire corpus - verify quality and metadata handling.
Parallel processing: `find . -name '*.sph' -print0 | xargs -0 -P 8 -I {} sox {} {}.wav` uses 8 parallel processes. Dramatically faster for large corpora (thousands of files). Adjust -P value based on CPU cores. For 100GB+ corpora (Fisher, Switchboard complete), parallel processing saves hours. Monitor system load to avoid overloading.
What challenges exist with old SPH corpora?
Media degradation: Speech corpora distributed on CD-ROMs in 1990s-2000s. Optical media degrades - disc rot, scratches, read errors. DAT tapes (older corpora) have magnetic degradation. Recovering data from failing media requires specialized tools and patience. Some recordings may be unrecoverable from damaged source media.
Licensing restrictions: Many speech corpora have restrictive licenses - academic use only, no redistribution, specific usage terms. TIMIT costs $2500+ for commercial license. Switchboard requires LDC (Linguistic Data Consortium) membership. Converting doesn't eliminate licensing obligations. Even converted WAV files subject to original corpus license terms. Legal issues complicate preservation and sharing.
Incomplete documentation: Older corpora sometimes have inadequate metadata documentation. SPH headers might reference speaker IDs, dialect codes, or transcription conventions without explaining them. Finding documentation requires archaeological research - old README files, published papers, institutional knowledge. Context loss makes data less useful for research. Preserve documentation alongside audio when converting.
Are SPH files used in commercial speech recognition?
Training data source: Commercial ASR systems (Google, Amazon, Apple, Microsoft) train on diverse data including SPH corpora. TIMIT, Switchboard, Fisher are foundational training sets. Companies license these corpora, convert to internal formats, incorporate into massive training datasets. SPH files are raw materials, not production format.
Production systems use different formats: Deployed speech recognition uses optimized formats - compressed neural network models, streaming audio protocols (WebRTC), edge device formats. SPH never appears in production code. It's training/evaluation format only, converted during data pipeline preprocessing.
Academic-commercial pipeline: Research advances on public SPH corpora transition to commercial systems. Techniques validated on TIMIT become features in Siri. Algorithms benchmarked on Switchboard power Google Assistant. SPH corpora enable reproducible research that commercial systems build upon. Indirect but crucial role in speech technology ecosystem.
What's the relationship between SPH and WAV formats?
Different design philosophies: WAV (Microsoft/IBM, 1991) was consumer multimedia format - simple, widely compatible, minimal metadata. SPH (NIST, late 1980s) was research format - comprehensive metadata, documentation focus, reproducibility priority. WAV optimized for playback/editing, SPH optimized for scientific datasets.
Audio content equivalent: Both can store identical PCM audio data. Converting SPH to WAV is lossless format change (container swap), not quality change. Difference is metadata - SPH has rich research metadata, WAV has minimal. For audio content alone, formats are functionally equivalent once converted.
Market outcome: WAV won universally through Windows dominance and simplicity. SPH remained research niche. Modern speech research converts SPH to WAV because ML tools expect WAV. Format war ended with WAV as de facto standard. SPH survives only in legacy corpora, not new datasets. Historical format vs living format.
Should I preserve SPH originals or just convert to WAV?
Preserve both for research corpora: SPH files contain metadata (speaker IDs, recording conditions, transcriptions) that WAV conversion loses. Original SPHERE files are archival artifacts documenting research history. Storage is cheap - keep SPH originals, create WAV conversions for working files. Dual format approach ensures metadata preservation and practical usability.
Document conversion process: Record tool (SoX/FFmpeg version), conversion date, any processing decisions, quality verification results. For scientific reproducibility, conversion metadata matters. Future researchers need to know how WAV files relate to original SPHERE dataset. Provenance tracking is research best practice. SPHERE files represent significant speech research history - treat with archival care.
Extract metadata separately: Create CSV/JSON documenting SPH header contents - sample rates, speaker demographics, transcriptions, database identifiers. This preserves research context alongside audio. SPHERE metadata is often more valuable than audio itself (transcriptions, speaker characteristics enable linguistic analysis). Good preservation practice: WAV audio + extracted metadata + original SPH files (if storage permits) + comprehensive documentation.