Convert SLN Files Free
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Supported Formats
Convert between all major file formats with high quality
Common Formats
MPEG-1 Audio Layer III - the most universal audio format worldwide, using lossy compression to reduce file sizes by 90% while maintaining excellent perceived quality. Perfect for music libraries, podcasts, portable devices, and any scenario requiring broad compatibility. Supports bitrates from 32-320kbps. Standard for digital music since 1993, playable on virtually every device and platform.
Waveform Audio File Format - uncompressed PCM audio providing perfect quality preservation. Standard Windows audio format with universal compatibility. Large file sizes (10MB per minute of stereo CD-quality). Perfect for audio production, professional recording, mastering, and situations requiring zero quality loss. Supports various bit depths (16, 24, 32-bit) and sample rates. Industry standard for professional audio work.
Ogg Vorbis - open-source lossy audio codec offering quality comparable to MP3/AAC at similar bitrates. Free from patents and licensing restrictions. Smaller file sizes than MP3 at equivalent quality. Used in gaming, open-source software, and streaming. Supports variable bitrate (VBR) for optimal quality. Perfect for applications requiring free codecs and good quality. Growing support in media players and platforms.
Advanced Audio Coding - successor to MP3 offering better quality at same bitrate (or same quality at lower bitrate). Standard audio codec for Apple devices, YouTube, and many streaming services. Supports up to 48 channels and 96kHz sample rate. Improved frequency response and handling of complex audio. Perfect for iTunes, iOS devices, video streaming, and modern audio applications. Part of MPEG-4 standard widely supported across platforms.
Free Lossless Audio Codec - compresses audio 40-60% without any quality loss. Perfect bit-for-bit preservation of original audio. Open-source format with no patents or licensing fees. Supports high-resolution audio (192kHz/24-bit). Perfect for archiving music collections, audiophile listening, and scenarios where quality is paramount. Widely supported by media players and streaming services. Ideal balance between quality and file size.
MPEG-4 Audio - AAC or ALAC audio in MP4 container. Standard audio format for Apple ecosystem (iTunes, iPhone, iPad). Supports both lossy (AAC) and lossless (ALAC) compression. Better quality than MP3 at same file size. Includes metadata support for artwork, lyrics, and rich tags. Perfect for iTunes library, iOS devices, and Apple software. Widely compatible across platforms despite Apple association. Common format for purchased music and audiobooks.
Windows Media Audio - Microsoft's proprietary audio codec with good compression and quality. Standard Windows audio format with native OS support. Supports DRM for protected content. Various profiles (WMA Standard, WMA Pro, WMA Lossless). Comparable quality to AAC at similar bitrates. Perfect for Windows ecosystem and legacy Windows Media Player. Being superseded by AAC and other formats. Still encountered in Windows-centric environments and older audio collections.
Lossless Formats
Apple Lossless Audio Codec - Apple's lossless compression reducing file size 40-60% with zero quality loss. Perfect preservation of original audio like FLAC but in Apple ecosystem. Standard lossless format for iTunes and iOS. Supports high-resolution audio up to 384kHz/32-bit. Smaller than uncompressed but larger than lossy formats. Perfect for iTunes library, audiophile iOS listening, and maintaining perfect quality in Apple ecosystem. Comparable to FLAC but with better Apple integration.
Monkey's Audio - high-efficiency lossless compression achieving better ratios than FLAC (typically 55-60% of original). Perfect quality preservation with zero loss. Free format with open specification. Slower compression/decompression than FLAC. Popular in audiophile communities. Limited player support compared to FLAC. Perfect for archiving when maximum space savings desired while maintaining perfect quality. Best for scenarios where storage space is critical and processing speed is not.
WavPack - hybrid lossless/lossy audio codec with unique correction file feature. Can create lossy file with separate correction file for lossless reconstruction. Excellent compression efficiency. Perfect for flexible audio archiving. Less common than FLAC. Supports high-resolution audio and DSD. Convert to FLAC for universal compatibility.
True Audio - lossless audio compression with fast encoding/decoding. Similar compression to FLAC with simpler algorithm. Open-source and free format. Perfect quality preservation. Less common than FLAC with limited player support. Perfect for audio archiving when FLAC compatibility not required. Convert to FLAC for broader compatibility.
Audio Interchange File Format - Apple's uncompressed audio format, equivalent to WAV but for Mac. Stores PCM audio with perfect quality. Standard audio format for macOS and professional Mac audio applications. Supports metadata tags better than WAV. Large file sizes like WAV (10MB per minute). Perfect for Mac-based audio production, professional recording, and scenarios requiring uncompressed audio on Apple platforms. Interchangeable with WAV for most purposes.
Modern Formats
Opus Audio Codec - modern open-source codec (2012) offering best quality at all bitrates from 6kbps to 510kbps. Excels at both speech and music. Lowest latency of modern codecs making it perfect for VoIP and real-time communication. Superior to MP3, AAC, and Vorbis at equivalent bitrates. Used by WhatsApp, Discord, and WebRTC. Ideal for streaming, voice calls, podcasts, and music. Becoming the universal audio codec for internet audio.
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Matroska Audio - audio-only Matroska container supporting any audio codec. Flexible format with metadata support. Can contain multiple audio tracks. Perfect for audio albums with chapters and metadata. Part of Matroska multimedia framework. Used for audiobooks and multi-track audio. Convert to FLAC or MP3 for universal compatibility.
Legacy Formats
MPEG-1 Audio Layer II - predecessor to MP3 used in broadcasting and DVDs. Better quality than MP3 at high bitrates. Standard audio codec for DVB (digital TV) and DVD-Video. Lower compression efficiency than MP3. Perfect for broadcast applications and DVD authoring. Legacy format being replaced by AAC in modern broadcasting. Still encountered in digital TV and video production workflows.
Dolby Digital (AC-3) - surround sound audio codec for DVD, Blu-ray, and digital broadcasting. Supports up to 5.1 channels. Standard audio format for DVDs and HDTV. Good compression with multichannel support. Perfect for home theater and video production. Used in cinema and broadcast. Requires Dolby license for encoding.
Adaptive Multi-Rate - speech codec optimized for mobile voice calls. Excellent voice quality at very low bitrates (4.75-12.2 kbps). Standard for GSM and 3G phone calls. Designed specifically for speech, not music. Perfect for voice recordings, voicemail, and speech applications. Used in WhatsApp voice messages and mobile voice recording. Efficient for voice but inadequate for music.
Sun/NeXT Audio - simple audio format from Sun Microsystems and NeXT Computer. Uncompressed or μ-law/A-law compressed audio. Common on Unix systems. Simple header with audio data. Perfect for Unix audio applications and legacy system compatibility. Found in system sounds and Unix audio files. Convert to WAV or MP3 for modern use.
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RealAudio - legacy streaming audio format from RealNetworks (1990s-2000s). Pioneered internet audio streaming with low-bitrate compression. Obsolete format replaced by modern streaming technologies. Poor quality by today's standards. Convert to MP3 or AAC for modern use. Historical importance in early internet audio streaming.
Specialized Formats
DTS Coherent Acoustics - surround sound codec competing with Dolby Digital. Higher bitrates than AC-3 with potentially better quality. Used in DVD, Blu-ray, and cinema. Supports up to 7.1 channels and object-based audio. Perfect for high-quality home theater. Premium audio format for video distribution. Convert to AC-3 or AAC for broader compatibility.
Core Audio Format - Apple's container for audio data on iOS and macOS. Supports any audio codec and unlimited file sizes. Modern replacement for AIFF on Apple platforms. Perfect for iOS app development and professional Mac audio. No size limitations (unlike WAV). Can store multiple audio streams. Convert to M4A or MP3 for broader compatibility outside Apple ecosystem.
VOC (Creative Voice File) - audio format from Creative Labs Sound Blaster cards. Popular in DOS era (1989-1995) for games and multimedia. Supports multiple compression formats and blocks. Legacy PC audio format. Common in retro gaming. Convert to WAV or MP3 for modern use. Important for DOS game audio preservation.
Speex - open-source speech codec designed for VoIP and internet audio streaming. Variable bitrate from 2-44 kbps. Optimized for speech with low latency. Better than MP3 for voice at low bitrates. Being superseded by Opus. Perfect for voice chat, VoIP, and speech podcasts. Legacy format replaced by Opus in modern applications.
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How to Convert Files
Upload your files, select output format, and download converted files instantly. Our converter supports batch conversion and maintains high quality.
Frequently Asked Questions
What is SLN format in Asterisk?
SLN (Signed Linear) is raw PCM audio format used internally by Asterisk open-source PBX (phone system). It's uncompressed 16-bit signed linear audio at 8kHz sample rate (telephone quality) stored with absolutely no header - just raw audio samples. SLN exists because Asterisk needs common internal format for processing calls from different codecs (G.711, GSM, Opus, etc.). Everything converts to SLN internally, then back to output codec.
Technical details: SLN is headerless - file is pure audio data, nothing else. 8kHz mono is standard (telephony bandwidth), though higher rates exist for wideband/HD voice (16kHz SLN16). Each sample is 2 bytes (16-bit), little-endian byte order on x86 systems. Format is efficient for Asterisk's internal processing but useless for playback - players need headers to know sample rate and format.
Should I convert SLN to WAV or MP3?
Converting SLN makes sense for these reasons:
Playback Requirement
SLN has no header. Media players can't detect format. Convert to WAV for universal playback.
Asterisk-Specific
SLN is internal Asterisk format. Outside Asterisk, files are unreadable. Conversion enables external use.
Archival Access
Call recordings in SLN need conversion for long-term storage and future access. WAV is archival standard.
Analysis Tools
Audio analysis software expects WAV/MP3. Convert SLN to analyze recordings in standard tools.
Convert SLN to WAV for compatibility. WAV adds header that players/editors need. Use MP3 only if storage is limited and quality loss acceptable.
How do I convert SLN to WAV?
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What sample rate do SLN files use?
Standard SLN is 8kHz (narrowband telephony). This is traditional telephone quality - sufficient for voice intelligibility but limited fidelity. Frequency response cuts off at 4kHz (Nyquist limit), so no high-frequency detail. Sounds like landline phone call - acceptable for communication, poor for music or high-quality voice.
SLN16 variant: Asterisk supports SLN16 format at 16kHz sample rate (wideband or HD voice). Better quality than standard SLN - more natural sounding voice with improved high-frequency clarity. Used in HD voice VoIP when endpoints support wideband codecs. File extension might be .sln16 to distinguish from 8kHz .sln.
Higher rates possible: SLN32 (32kHz) and SLN48 (48kHz) exist for ultra-wideband and full-bandwidth audio in specialized Asterisk deployments. Rare in practice - most VoIP is narrowband (8kHz) or wideband (16kHz). When converting SLN, verify sample rate - wrong rate causes chipmunk/slow-motion playback. Check Asterisk configuration or test conversion with 8kHz first (most common).
Why doesn't SLN have a file header?
Efficiency reasons: Asterisk processes millions of audio frames during call routing, mixing, transcoding. Adding/removing headers for every internal operation would waste CPU cycles. Raw SLN format eliminates header overhead - pure audio data enables fastest possible processing. Speed matters in real-time telephony where latency is quality issue.
Internal use assumption: SLN was never designed for external consumption. It's intermediate format inside Asterisk processing pipeline. Asterisk knows sample rate/format through context (configuration, dialplan) - no header needed. Exposing SLN externally (call recordings, voicemail) is side effect of internal format, not original intention.
Simple implementation: No header means no parsing, no format detection, no complexity. Just read/write raw samples. This simplicity reduces bugs and improves reliability in telephony system where stability is critical. Header-free design is feature for Asterisk, not bug - external users must adapt.
Can media players play SLN files directly?
Generally no - headerless format confuses players. VLC might play if you force raw audio import with correct parameters (Audio > Open Media > Advanced Options > specify codec, rate, channels). This is tedious and impractical. Windows Media Player, iTunes, Chrome, Firefox - none handle raw SLN natively. They need headers to identify format.
Audacity can import: File > Import > Raw Data, then specify signed 16-bit PCM, 8000Hz, mono, little-endian. Audacity visualizes waveform and allows export to WAV/MP3. Good for one-off conversions with GUI. Not practical for hundreds of SLN files - use command-line tools for batch work.
Practical advice: Don't fight format limitations. Convert SLN to WAV immediately after exporting from Asterisk. WAV files play everywhere, SLN files don't. One-time conversion removes headaches. Store recordings as WAV, not SLN, for future accessibility.
What quality is SLN audio?
Telephone quality (8kHz SLN): Acceptable for voice communication, poor for everything else. Frequency range 300-3400Hz (PSTN telephone bandwidth). Intelligible speech but lacks naturalness - no low bass frequencies, no high-frequency sibilance crispness. Comparable to traditional landline phone call quality. Sufficient for business calls, voicemail, IVR systems.
HD voice (16kHz SLN16): Noticeably better than narrowband. Frequency range extends to 7kHz. More natural voice timbre, clearer consonants, less robotic sound. Modern VoIP with wideband codecs (G.722, Opus wideband) uses 16kHz internally. Significant improvement over traditional telephony but still not hi-fi.
Uncompressed advantage: SLN is lossless within its bandwidth - no compression artifacts. Quality limitations come from sample rate (8kHz/16kHz), not compression. Converting SLN to WAV preserves quality perfectly. Converting to MP3 adds compression but doesn't worsen inherent quality limitations. For call recordings, SLN quality is appropriate - higher fidelity unnecessary for voice.
How do I batch convert SLN recordings to WAV?
Batch conversion strategies:
SoX Bash Script
`for f in *.sln; do sox -t raw -r 8000 -e signed -b 16 -c 1 "$f" "${f%.sln}.wav"; done` converts all SLN in directory.
FFmpeg PowerShell
`Get-ChildItem -Filter *.sln | ForEach-Object { ffmpeg -f s16le -ar 8000 -ac 1 -i $_.Name "$($_.BaseName).wav" }` for Windows.
Asterisk CLI
Use Asterisk file format conversion if on server. Asterisk can transcode between formats through dialplan or CLI commands.
Parallel Processing
GNU Parallel or xargs -P for faster batch conversion: `parallel 'sox -t raw -r 8000 -e signed -b 16 -c 1 {} {.}.wav' ::: *.sln`.
Verify Sample Rate
If 8kHz sounds wrong (too fast/slow), try 16kHz (-r 16000). SLN16 files need different rate parameter.
Scripted batch conversion handles hundreds of SLN files efficiently. Test one file first to confirm correct parameters.
Why does Asterisk use SLN instead of WAV?
Processing efficiency: Asterisk's core job is audio processing - mixing conferences, transcoding between codecs, applying effects. Raw SLN eliminates repeated header parsing/writing. Every audio operation works on raw samples directly. For high-volume PBX handling hundreds of simultaneous calls, this efficiency matters. CPU savings accumulate.
Codec neutrality: Calls arrive in various codecs (G.711, GSM, Opus, G.729). Asterisk converts all to SLN, processes in common format, converts to output codec. SLN is lingua franca - simple, uncompressed intermediate representation. Using WAV wouldn't improve this - SLN's headerless simplicity is optimal for internal processing.
Historical reasons: Early Asterisk (early 2000s) ran on limited hardware. Every CPU cycle mattered. SLN's raw format was practical choice for software PBX on commodity servers. Modern Asterisk could handle WAV easily, but changing core format would break compatibility with decades of deployments. SLN works well - no compelling reason to change.
Can I use SLN files in other VoIP systems?
SLN is Asterisk-specific with limited external use:
Not Standard Format
SLN isn't ITU or IETF standard. Other VoIP systems (FreeSWITCH, Cisco, Avaya) don't use SLN. It's Asterisk internal format.
Convert for Interop
To use Asterisk audio in other systems, convert to standard formats: WAV (PCM), G.711 (μ-law/A-law), or Opus.
FreeSWITCH Alternative
FreeSWITCH uses similar concept (raw PCM) but different implementation. Not directly compatible with Asterisk SLN.
No Hardware Support
VoIP phones, ATAs, SIP clients don't support SLN codec. It's server-side processing format only.
Migration Requires Conversion
Migrating from Asterisk to other PBX means converting SLN recordings/prompts to standard formats first.
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What's the difference between SLN and RAW PCM?
Very similar - both are headerless PCM audio. Difference is context and naming. SLN is Asterisk's name for its specific raw PCM format (8kHz/16-bit signed/mono by default). RAW PCM is generic term for headerless PCM with parameters specified externally. Technically nearly identical - SLN is branded RAW PCM variant.
Practical implications: Converting SLN uses same tools as RAW PCM (SoX, FFmpeg) with same parameter specifications. SLN files ARE raw PCM files - extension and context differ, format is equivalent. Understanding this helps troubleshooting - techniques for handling RAW PCM apply to SLN.
Convention in Asterisk: .sln extension signals "this is 8kHz Asterisk audio" - implies format parameters even though header lacks them. .raw extension is more ambiguous (could be any PCM configuration). SLN naming convention reduces guesswork in Asterisk environments about audio specifications.
How do I create SLN files from WAV?
SoX method: `sox input.wav -t raw -r 8000 -e signed -b 16 -c 1 output.sln`. This converts WAV to raw 8kHz/16-bit mono PCM (SLN format). Useful for creating Asterisk prompts or music-on-hold files from standard audio sources.
FFmpeg method: `ffmpeg -i input.wav -f s16le -ar 8000 -ac 1 output.sln`. Similar result - strips header, resamples to 8kHz if needed, outputs raw signed 16-bit little-endian PCM. Both tools work identically for WAV-to-SLN conversion.
Quality considerations: If source WAV is higher quality (44.1kHz, stereo), downsampling to 8kHz mono loses fidelity. This is appropriate for telephony (no point preserving quality phone system can't reproduce), but be aware conversion degrades audio. For Asterisk prompts, record at 8kHz mono from start or accept quality reduction.
Are there legal/compliance issues with SLN recordings?
Call recording regulations apply: Many jurisdictions require notification/consent for call recording (two-party consent states in US, GDPR in EU, various international laws). SLN files from Asterisk call recordings are subject to same laws as any recording. Format doesn't matter - content and context create legal obligations.
Retention requirements: Regulated industries (finance, healthcare, emergency services) have specific retention periods and security requirements for call recordings. SLN format is fine for retention IF properly secured and maintained. However, converting to documented standard formats (WAV, FLAC) with metadata is better archival practice for compliance.
Accessibility for legal discovery: Courts and regulators expect standard formats. Producing SLN files in litigation requires expert testimony explaining format and providing conversion. Preemptively converting to WAV/MP3 simplifies legal discovery. Consider compliance needs when choosing storage format for call recordings - proprietary/obscure formats create unnecessary complications.
What happens if I specify wrong sample rate converting SLN?
Chipmunk effect (rate too high): If you convert 8kHz SLN with 16kHz parameter, audio plays at double speed with high-pitched voices. Easily recognizable - sounds cartoonish. Indicates sample rate mismatch.
Slow-motion effect (rate too low): If you convert 16kHz SLN as 8kHz, audio plays at half speed with deep, slow voices. Also obvious error. Both rate mistakes are immediately audible - no subtle degradation, complete playback failure.
Finding correct rate: Try 8kHz first (most common). If wrong, try 16kHz. Less common rates (32kHz, 48kHz) exist but rare. Listen to converted file - correct rate produces normal voice speed and pitch. One file test tells you rate for entire batch. Document rate for future reference.
Should I preserve SLN files or convert to WAV for archival?
Convert to WAV for archival. SLN's headerless format is preservation risk - future tools might not know how to interpret raw data without sample rate documentation. WAV embeds all necessary parameters in header. If Asterisk documentation is lost, SLN files become archaeological puzzle. WAV is self-describing and universally supported.
Add metadata: When archiving converted WAV files, document source ("Asterisk call recording, converted from SLN"), date, parties involved (if applicable/legal), and any relevant context. Call recordings without metadata lose evidentiary value. Sidecar JSON or CSV files work well for bulk recording archives.
Retention policy: Don't archive recordings indefinitely unless legally required. Call recordings contain private conversations - indefinite storage creates privacy risks and storage costs. Convert SLN to WAV, keep per retention policy (90 days, 7 years, whatever applies), then securely delete. Format conversion is preservation tool, not excuse to hoard data unnecessarily.