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Supported Formats
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Common Formats
MPEG-1 Audio Layer III - the most universal audio format worldwide, using lossy compression to reduce file sizes by 90% while maintaining excellent perceived quality. Perfect for music libraries, podcasts, portable devices, and any scenario requiring broad compatibility. Supports bitrates from 32-320kbps. Standard for digital music since 1993, playable on virtually every device and platform.
Waveform Audio File Format - uncompressed PCM audio providing perfect quality preservation. Standard Windows audio format with universal compatibility. Large file sizes (10MB per minute of stereo CD-quality). Perfect for audio production, professional recording, mastering, and situations requiring zero quality loss. Supports various bit depths (16, 24, 32-bit) and sample rates. Industry standard for professional audio work.
Ogg Vorbis - open-source lossy audio codec offering quality comparable to MP3/AAC at similar bitrates. Free from patents and licensing restrictions. Smaller file sizes than MP3 at equivalent quality. Used in gaming, open-source software, and streaming. Supports variable bitrate (VBR) for optimal quality. Perfect for applications requiring free codecs and good quality. Growing support in media players and platforms.
Advanced Audio Coding - successor to MP3 offering better quality at same bitrate (or same quality at lower bitrate). Standard audio codec for Apple devices, YouTube, and many streaming services. Supports up to 48 channels and 96kHz sample rate. Improved frequency response and handling of complex audio. Perfect for iTunes, iOS devices, video streaming, and modern audio applications. Part of MPEG-4 standard widely supported across platforms.
Free Lossless Audio Codec - compresses audio 40-60% without any quality loss. Perfect bit-for-bit preservation of original audio. Open-source format with no patents or licensing fees. Supports high-resolution audio (192kHz/24-bit). Perfect for archiving music collections, audiophile listening, and scenarios where quality is paramount. Widely supported by media players and streaming services. Ideal balance between quality and file size.
MPEG-4 Audio - AAC or ALAC audio in MP4 container. Standard audio format for Apple ecosystem (iTunes, iPhone, iPad). Supports both lossy (AAC) and lossless (ALAC) compression. Better quality than MP3 at same file size. Includes metadata support for artwork, lyrics, and rich tags. Perfect for iTunes library, iOS devices, and Apple software. Widely compatible across platforms despite Apple association. Common format for purchased music and audiobooks.
Windows Media Audio - Microsoft's proprietary audio codec with good compression and quality. Standard Windows audio format with native OS support. Supports DRM for protected content. Various profiles (WMA Standard, WMA Pro, WMA Lossless). Comparable quality to AAC at similar bitrates. Perfect for Windows ecosystem and legacy Windows Media Player. Being superseded by AAC and other formats. Still encountered in Windows-centric environments and older audio collections.
Lossless Formats
Apple Lossless Audio Codec - Apple's lossless compression reducing file size 40-60% with zero quality loss. Perfect preservation of original audio like FLAC but in Apple ecosystem. Standard lossless format for iTunes and iOS. Supports high-resolution audio up to 384kHz/32-bit. Smaller than uncompressed but larger than lossy formats. Perfect for iTunes library, audiophile iOS listening, and maintaining perfect quality in Apple ecosystem. Comparable to FLAC but with better Apple integration.
Monkey's Audio - high-efficiency lossless compression achieving better ratios than FLAC (typically 55-60% of original). Perfect quality preservation with zero loss. Free format with open specification. Slower compression/decompression than FLAC. Popular in audiophile communities. Limited player support compared to FLAC. Perfect for archiving when maximum space savings desired while maintaining perfect quality. Best for scenarios where storage space is critical and processing speed is not.
WavPack - hybrid lossless/lossy audio codec with unique correction file feature. Can create lossy file with separate correction file for lossless reconstruction. Excellent compression efficiency. Perfect for flexible audio archiving. Less common than FLAC. Supports high-resolution audio and DSD. Convert to FLAC for universal compatibility.
True Audio - lossless audio compression with fast encoding/decoding. Similar compression to FLAC with simpler algorithm. Open-source and free format. Perfect quality preservation. Less common than FLAC with limited player support. Perfect for audio archiving when FLAC compatibility not required. Convert to FLAC for broader compatibility.
Audio Interchange File Format - Apple's uncompressed audio format, equivalent to WAV but for Mac. Stores PCM audio with perfect quality. Standard audio format for macOS and professional Mac audio applications. Supports metadata tags better than WAV. Large file sizes like WAV (10MB per minute). Perfect for Mac-based audio production, professional recording, and scenarios requiring uncompressed audio on Apple platforms. Interchangeable with WAV for most purposes.
Modern Formats
Opus Audio Codec - modern open-source codec (2012) offering best quality at all bitrates from 6kbps to 510kbps. Excels at both speech and music. Lowest latency of modern codecs making it perfect for VoIP and real-time communication. Superior to MP3, AAC, and Vorbis at equivalent bitrates. Used by WhatsApp, Discord, and WebRTC. Ideal for streaming, voice calls, podcasts, and music. Becoming the universal audio codec for internet audio.
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Matroska Audio - audio-only Matroska container supporting any audio codec. Flexible format with metadata support. Can contain multiple audio tracks. Perfect for audio albums with chapters and metadata. Part of Matroska multimedia framework. Used for audiobooks and multi-track audio. Convert to FLAC or MP3 for universal compatibility.
Legacy Formats
MPEG-1 Audio Layer II - predecessor to MP3 used in broadcasting and DVDs. Better quality than MP3 at high bitrates. Standard audio codec for DVB (digital TV) and DVD-Video. Lower compression efficiency than MP3. Perfect for broadcast applications and DVD authoring. Legacy format being replaced by AAC in modern broadcasting. Still encountered in digital TV and video production workflows.
Dolby Digital (AC-3) - surround sound audio codec for DVD, Blu-ray, and digital broadcasting. Supports up to 5.1 channels. Standard audio format for DVDs and HDTV. Good compression with multichannel support. Perfect for home theater and video production. Used in cinema and broadcast. Requires Dolby license for encoding.
Adaptive Multi-Rate - speech codec optimized for mobile voice calls. Excellent voice quality at very low bitrates (4.75-12.2 kbps). Standard for GSM and 3G phone calls. Designed specifically for speech, not music. Perfect for voice recordings, voicemail, and speech applications. Used in WhatsApp voice messages and mobile voice recording. Efficient for voice but inadequate for music.
Sun/NeXT Audio - simple audio format from Sun Microsystems and NeXT Computer. Uncompressed or μ-law/A-law compressed audio. Common on Unix systems. Simple header with audio data. Perfect for Unix audio applications and legacy system compatibility. Found in system sounds and Unix audio files. Convert to WAV or MP3 for modern use.
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RealAudio - legacy streaming audio format from RealNetworks (1990s-2000s). Pioneered internet audio streaming with low-bitrate compression. Obsolete format replaced by modern streaming technologies. Poor quality by today's standards. Convert to MP3 or AAC for modern use. Historical importance in early internet audio streaming.
Specialized Formats
DTS Coherent Acoustics - surround sound codec competing with Dolby Digital. Higher bitrates than AC-3 with potentially better quality. Used in DVD, Blu-ray, and cinema. Supports up to 7.1 channels and object-based audio. Perfect for high-quality home theater. Premium audio format for video distribution. Convert to AC-3 or AAC for broader compatibility.
Core Audio Format - Apple's container for audio data on iOS and macOS. Supports any audio codec and unlimited file sizes. Modern replacement for AIFF on Apple platforms. Perfect for iOS app development and professional Mac audio. No size limitations (unlike WAV). Can store multiple audio streams. Convert to M4A or MP3 for broader compatibility outside Apple ecosystem.
VOC (Creative Voice File) - audio format from Creative Labs Sound Blaster cards. Popular in DOS era (1989-1995) for games and multimedia. Supports multiple compression formats and blocks. Legacy PC audio format. Common in retro gaming. Convert to WAV or MP3 for modern use. Important for DOS game audio preservation.
Speex - open-source speech codec designed for VoIP and internet audio streaming. Variable bitrate from 2-44 kbps. Optimized for speech with low latency. Better than MP3 for voice at low bitrates. Being superseded by Opus. Perfect for voice chat, VoIP, and speech podcasts. Legacy format replaced by Opus in modern applications.
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How to Convert Files
Upload your files, select output format, and download converted files instantly. Our converter supports batch conversion and maintains high quality.
Frequently Asked Questions
What is PVF format and where did it come from?
PVF (Portable Voice Format) is an obscure audio format from the early days of computer telephony and voice messaging systems, primarily used in Unix/Linux voice mail applications during the 1990s. It was designed for storing compressed voice recordings in telephone quality (8kHz, mono) for applications like voicemail servers, IVR systems, and early VoIP experiments. Think of it as the audio format for primitive phone systems running on computers.
The 'portable' in the name refers to portability across Unix systems, not across platforms generally - this was back when getting audio to work consistently across different Unix flavors was challenging. PVF provided a simple, documented format for voice storage that various telephony applications could read. It's associated with tools like vgetty (voice modem software), mgetty+sendfax, and early Asterisk PBX experiments before Asterisk standardized on other formats.
How does PVF differ from regular audio formats like WAV?
PVF was optimized for telephony in ways regular audio formats weren't:
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Telephony-Specific Compression
PVF typically uses ADPCM (Adaptive Differential Pulse Code Modulation) compression tuned for speech at telephone bandwidths (300-3400 Hz). This is lossy but acceptable for voice, achieving 4:1 compression. WAV can store ADPCM but usually stores uncompressed PCM. PVF was designed assuming voice data and telephone quality from the ground up - narrow bandwidth, mono, optimized for speech intelligibility rather than music fidelity.
PVF is voice-first, telephony-optimized, Unix-centric, and obsolete. WAV won because it's flexible, well-supported, and platform-independent. PVF only matters if you're stuck with legacy voice recordings.
Can I play PVF files in standard audio players?
Almost certainly not without conversion - PVF is too obscure:
SoX as Primary Tool
SoX (Sound eXchange) - the Swiss Army knife Unix audio tool - can handle PVF format because SoX was developed in the same telephony-on-Unix ecosystem where PVF existed. If you need to work with PVF, SoX is likely your only option. Command line use: `sox input.pvf output.wav` usually works. SoX is free, cross-platform, and designed for format conversion. It's the rescue tool for obscure formats.
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Why Conversion Is Necessary
Legacy systems created PVF files, but those systems are long obsolete. The files remain but the playback ecosystem doesn't. Converting PVF to WAV or MP3 extracts the voice recording into universally playable formats. Once converted, standard players work fine. Think of PVF conversion as rescuing voice data from proprietary format limbo.
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If you have PVF files, convert them immediately to WAV or MP3 before tools like SoX stop supporting PVF entirely. Don't expect any future software to add PVF support - the format's trajectory is toward oblivion.
What quality is PVF audio?
Telephone quality, meaning 8kHz sample rate, mono, usually with ADPCM compression. Objectively poor by modern standards but adequate for voice intelligibility. The 8kHz limit means frequencies above 4kHz are cut off - no 's' sounds crispness, no high-frequency breath detail. It sounds exactly like an old landline phone call, because that's what it was designed to match. Think AM radio quality or slightly worse.
ADPCM compression in PVF introduces quantization noise - a subtle graininess or static-like artifact audible during quiet passages. Combined with low sample rate, you get voice that's understandable but fatiguing to listen to for long periods. Music would sound horrible in PVF, but speech remains clear enough for voicemail purposes ('You have one new message. First message, received today at 3:14 PM...').
File sizes are tiny - maybe 1MB for 10 minutes of speech. In the 1990s when hard drive space was expensive and modem transfers were slow, this efficiency mattered. Modern users converting PVF files should expect poor quality because that's what the source format was designed for. You can't improve quality through conversion - the bandwidth limitations and compression artifacts are baked in. Convert to preserve content, not for hi-fi enjoyment.
Should I convert PVF to WAV or MP3?
WAV is better for archival authenticity. PVF files are already 8kHz ADPCM-compressed voice - converting to uncompressed WAV preserves exactly what's there without additional quality loss. WAV files will be slightly larger than PVF (uncompressed PCM vs ADPCM) but we're talking 1-2 MB for typical voicemail-length recordings. In 2024, disk space isn't a concern. WAV ensures you have authentic archive of the voice content.
MP3 makes sense only if you're dealing with massive archives (hundreds of hours) and storage is genuinely limited. Voice compresses extremely well - MP3 at 48kbps or even 32kbps is plenty for telephone-quality speech. You're compressing already-low-quality audio, so MP3 artifacts are barely noticeable. But you're adding lossy compression on top of lossy PVF source, which is philosophically questionable for archival integrity.
Recommendation: convert to WAV for important recordings (legal voice messages, historical oral histories, family voicemails), and to MP3 for bulk archives of routine business voicemails where quality doesn't matter. WAV preserves authenticity; MP3 prioritizes space efficiency. Given how cheap storage is, bias toward WAV unless you have terabytes of voice recordings. Future-proof the content properly.
Why did PVF format become obsolete?
Better alternatives arrived and the use case disappeared. GSM codec became standard for digital mobile voice and was adopted in computer telephony. WAV with G.711 or G.729 codecs provided better quality and integration with emerging VoIP standards. Asterisk PBX (which killed proprietary Unix voice systems) supported standard formats like GSM and WAV natively, not niche formats like PVF. As telephony standardized, bespoke formats like PVF lost relevance.
The Unix voice modem ecosystem that PVF served died completely. Modems themselves became obsolete with broadband. Voice processing moved from modem cards to network interfaces (SIP trunks, VoIP). The entire hardware and software stack that PVF was designed for vanished. No new systems were created using PVF after the early 2000s - developers had no reason to support a format from defunct technology.
Industry standardization crushed niche formats. ITU standards (G.711, G.729, G.722) for voice coding, SIP for signaling, RTP for transport - these became universal in telecom. Proprietary or niche formats couldn't compete. PVF was never standardized, never widely adopted beyond hobbyist Unix telephony, and never had commercial backing. It was superseded by superior technology and forgotten. Only legacy archives keep PVF files in existence.
What software can convert PVF files?
SoX (Sound eXchange) is the primary tool. It's free, open-source, runs on Windows/Mac/Linux, and explicitly supports PVF format. Installation: download from sourceforge or install via package manager (apt-get install sox on Linux, brew install sox on Mac, installer for Windows). Usage is simple: `sox input.pvf output.wav` handles most conversions. SoX is command-line but straightforward for basic format conversion.
Some extremely old Unix audio tools might support PVF (vplay, vrec from vgetty package), but these are obsolete and harder to install than SoX. ffmpeg officially doesn't support PVF in standard builds. Online converters occasionally claim PVF support but rarely work reliably - the format is too obscure. Don't waste time searching for exotic tools when SoX exists specifically for this kind of conversion.
For batch conversion of many PVF files, script SoX in shell scripts or Python. Example bash: `for f in *.pvf; do sox "$f" "${f%.pvf}.wav"; done` converts all PVF in directory. Windows users can use PowerShell loops similarly. Since PVF is so niche, manual effort to find and convert all PVF files is worthwhile - you probably don't have many, and once converted, you never deal with PVF again.
Are PVF files compatible with modern VoIP or telephony systems?
No - modern telephony moved on decades ago:
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Legacy System Migration
When businesses migrate from ancient Unix voice systems to modern VoIP, PVF voicemail archives must be converted. Migration projects extract PVF, convert to WAV or MP3, then import into new systems (maybe as email attachments, maybe into voicemail-to-email systems, maybe into unified communications platforms). PVF is discarded during migration - it's the source format, not the target.
PVF is incompatible with anything made this century. Convert immediately if you need the voice content for any modern use. The format is a relic with no future pathway.
What information is stored in PVF file headers?
PVF headers are minimalist - sample rate (almost always 8000 Hz), compression type (usually ADPCM variants), number of channels (always 1/mono for PVF in practice), and data length. That's essentially it. No timestamps, no speaker metadata, no transcription info. The format was designed for immediate playback in voice systems, not for archival richness. Any metadata (caller ID, timestamp, message folder) was managed by the voice mail application, not stored in PVF files.
Some PVF implementations might include text fields for comments or origin information, but this was inconsistent and rarely used. Most PVF files are pure audio data with minimal header. When you convert to WAV, you lose nothing of value - PVF headers contain no rich metadata to preserve. Any important information (like 'this is John Smith's voicemail from June 1999') would be in filenames, directory structure, or separate database files, not in PVF headers.
This header simplicity is why PVF was easy to implement - write sample rate and compression code, dump audio data, done. But it's also why PVF is useless for archival - no context preserved in the files themselves. When converting legacy PVF archives, document metadata externally (spreadsheets, JSON sidecar files) capturing filename to context mappings. The PVF files won't tell you anything beyond the voice recording itself.
Can I create new PVF files or is the format write-only legacy?
Technically possible but completely pointless - here's why:
No Receiving Systems
Even if you created PVF files, nothing would use them. Modern voicemail systems expect WAV, GSM, or proprietary formats - not PVF. Voice recording applications output to standard formats. There's no hardware or software waiting for PVF input. You'd create orphaned files that require immediate reconversion to usable formats. It's circular pointlessness.
Historical Reproduction Only
The only legitimate reason to create PVF files would be historical computing reproduction - running an authentic 1990s Unix voice mail system in a virtual machine as a museum piece or research project. You'd need to create period-appropriate PVF files to test the system. This is extremely niche (computer history preservation, telephony archaeology). For any practical voice recording purpose, PVF creation is wrong tool choice.
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What were PVF files used for in legacy voice mail systems?
PVF was the storage format for voicemail messages in Unix-based voice messaging systems. When someone called and left a message, the voice modem (cards like ZyXEL or USR with voice capability) captured analog audio, digitized it, compressed it to PVF, and stored it in a user's voicemail directory (like /var/spool/voice/user123/). Retrieval meant decompressing PVF and playing through the modem's speaker or system sound output when user called in to check messages.
These systems ran on Linux or BSD servers, often handling small business or department phone systems. They were DIY alternatives to expensive proprietary PBX voicemail using commodity PC hardware and modems. The setup was janky but functional - mgetty+sendfax or vgetty handled modem control, custom scripts managed voicemail logic, PVF stored the actual messages. It worked but required Unix expertise and tolerated occasional glitches.
Other uses: IVR (Interactive Voice Response) prompts, on-hold messages, automated attendant greetings - all might be stored as PVF in these systems. Anything requiring stored voice was a candidate for PVF storage. When Asterisk PBX emerged in the early 2000s with better architecture and GSM/WAV support, these hacked-together Unix voice systems disappeared rapidly. PVF files are the archaeological evidence they ever existed.
Does PVF format support stereo or high-quality audio?
No to both. PVF is strictly mono - telephony is single-channel by nature (one microphone, one speaker in handset). Stereo makes no sense in that context. Even if you tried to force stereo data into PVF structure, nothing would play it correctly. The format assumes mono voice throughout its design.
High quality is similarly impossible. PVF maxes out at telephone bandwidth - 8kHz sample rate, ADPCM compression. There's no provision in the format for 16kHz, 44.1kHz, or higher rates. No wideband codec support. Even if you stored uncompressed data (which defeats PVF's purpose), 8kHz remains the practical ceiling. The format was designed for 1990s modem hardware that couldn't handle higher rates anyway.
This is core to why PVF died - when people wanted better voice quality (wideband codecs like G.722, HD voice), PVF had no pathway to support it. The format was designed for PSTN telephone quality and couldn't evolve beyond that. Modern voice formats support variable quality, stereo options, and bitrate scaling. PVF is frozen at 'telephone from 1995' quality forever. That's all it will ever be.
What challenges exist when recovering PVF voicemail archives?
Finding working conversion tools is first challenge - SoX is the only reliable option, and even that requires installation and command-line comfort. Old Unix systems where PVF files reside might have corrupted filesystems, failed drives, or no backups. Extracting files from ancient SCSI drives or damaged tapes requires data recovery effort before you even reach format conversion. Physical media degradation is a huge problem with 20-30 year old storage.
Metadata loss is severe. PVF files don't store caller information, dates, or context. The voice message exists, but you might not know who called, when, or what it was regarding. Original systems stored this in separate files or databases that are often lost. Filenames sometimes contain hints (timestamp-based naming) but not consistently. Recovering complete voicemail context requires reconstructing filesystem structure and correlating timestamps, which is forensic-level effort.
Compression variants complicate matters. PVF supported different ADPCM compression schemes, and not all are well-documented. Some files might use non-standard compression that modern SoX can't decode. Corrupted files from system crashes might be unrecoverable - no error correction in simple formats like PVF. Budget significant time for recovery projects involving PVF archives. Success rate won't be 100%, and audio quality will always be poor. Manage expectations appropriately.
Are there any legal or compliance issues with PVF voicemail archives?
Potentially yes, depending on content and jurisdiction. Business voicemails might contain confidential information, trade secrets, personal data under GDPR/privacy laws, or recordings subject to call recording regulations. If these were supposed to be deleted after X years per retention policies, preserving ancient PVF archives might violate those policies. Consult legal before converting and archiving old voicemail systems - dormant systems sometimes stay dormant for legal reasons.
Healthcare or financial services voicemails have special compliance requirements (HIPAA, SOX, PCI-DSS). Even old voice messages might contain protected information. Converting to modern formats makes content accessible and searchable, which could create audit trail requirements. Some organizations deliberately leave old voicemail systems untouched in powered-down state to avoid compliance complications. Converting PVF brings content back into active management scope.
Conversely, some industries must preserve communications for legal discovery purposes. In these cases, PVF voicemail archives should absolutely be converted to stable formats (WAV + metadata) before media decay makes them unrecoverable. Document chain of custody, use forensic conversion methods (write-once output, hash verification), and store in tamper-evident systems. PVF files on failing 1990s hard drives aren't defensible legal preservation - convert properly or risk spoliation claims.
Should I preserve PVF format or convert entirely to WAV for archival?
Convert entirely to WAV and discard PVF. There's no historical value in preserving PVF format itself - it's not like film stock or analog tape where the medium contains unique characteristics. PVF is a digital format, and the audio content is fully extractable to WAV without loss. Keeping PVF files just creates future problems as tools supporting PVF disappear. WAV is an open standard with guaranteed long-term support.
For critical archives (legal, historical oral history, family records), convert to uncompressed WAV and store with redundancy (multiple copies, different locations, checksum verification). Add metadata in JSON sidecar files documenting source (PVF), conversion tool (SoX version), date, original context if known. This preserves content and provenance. The PVF original offers nothing beyond what converted WAV + metadata provides, and it risks bit rot and tool obsolescence.
Exception: computer history museums or telephony research might keep a few example PVF files as format specimens for historical documentation. One or two files demonstrate the format; thousands of identical-format files don't. For personal or business archives, ruthlessly convert to modern formats. PVF format preservation serves no practical purpose and adds risk. Rescue the voice content, leave the format behind. This is digital archaeology - preserve artifacts (content), not medium (format), when medium is purely technical and obsolete.