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Supported Formats

Convert between all major file formats with high quality

Common Formats

MP3

MPEG-1 Audio Layer III - the most universal audio format worldwide, using lossy compression to reduce file sizes by 90% while maintaining excellent perceived quality. Perfect for music libraries, podcasts, portable devices, and any scenario requiring broad compatibility. Supports bitrates from 32-320kbps. Standard for digital music since 1993, playable on virtually every device and platform.

WAV

Waveform Audio File Format - uncompressed PCM audio providing perfect quality preservation. Standard Windows audio format with universal compatibility. Large file sizes (10MB per minute of stereo CD-quality). Perfect for audio production, professional recording, mastering, and situations requiring zero quality loss. Supports various bit depths (16, 24, 32-bit) and sample rates. Industry standard for professional audio work.

OGG

Ogg Vorbis - open-source lossy audio codec offering quality comparable to MP3/AAC at similar bitrates. Free from patents and licensing restrictions. Smaller file sizes than MP3 at equivalent quality. Used in gaming, open-source software, and streaming. Supports variable bitrate (VBR) for optimal quality. Perfect for applications requiring free codecs and good quality. Growing support in media players and platforms.

AAC

Advanced Audio Coding - successor to MP3 offering better quality at same bitrate (or same quality at lower bitrate). Standard audio codec for Apple devices, YouTube, and many streaming services. Supports up to 48 channels and 96kHz sample rate. Improved frequency response and handling of complex audio. Perfect for iTunes, iOS devices, video streaming, and modern audio applications. Part of MPEG-4 standard widely supported across platforms.

FLAC

Free Lossless Audio Codec - compresses audio 40-60% without any quality loss. Perfect bit-for-bit preservation of original audio. Open-source format with no patents or licensing fees. Supports high-resolution audio (192kHz/24-bit). Perfect for archiving music collections, audiophile listening, and scenarios where quality is paramount. Widely supported by media players and streaming services. Ideal balance between quality and file size.

M4A

MPEG-4 Audio - AAC or ALAC audio in MP4 container. Standard audio format for Apple ecosystem (iTunes, iPhone, iPad). Supports both lossy (AAC) and lossless (ALAC) compression. Better quality than MP3 at same file size. Includes metadata support for artwork, lyrics, and rich tags. Perfect for iTunes library, iOS devices, and Apple software. Widely compatible across platforms despite Apple association. Common format for purchased music and audiobooks.

WMA

Windows Media Audio - Microsoft's proprietary audio codec with good compression and quality. Standard Windows audio format with native OS support. Supports DRM for protected content. Various profiles (WMA Standard, WMA Pro, WMA Lossless). Comparable quality to AAC at similar bitrates. Perfect for Windows ecosystem and legacy Windows Media Player. Being superseded by AAC and other formats. Still encountered in Windows-centric environments and older audio collections.

Lossless Formats

ALAC

Apple Lossless Audio Codec - Apple's lossless compression reducing file size 40-60% with zero quality loss. Perfect preservation of original audio like FLAC but in Apple ecosystem. Standard lossless format for iTunes and iOS. Supports high-resolution audio up to 384kHz/32-bit. Smaller than uncompressed but larger than lossy formats. Perfect for iTunes library, audiophile iOS listening, and maintaining perfect quality in Apple ecosystem. Comparable to FLAC but with better Apple integration.

APE

Monkey's Audio - high-efficiency lossless compression achieving better ratios than FLAC (typically 55-60% of original). Perfect quality preservation with zero loss. Free format with open specification. Slower compression/decompression than FLAC. Popular in audiophile communities. Limited player support compared to FLAC. Perfect for archiving when maximum space savings desired while maintaining perfect quality. Best for scenarios where storage space is critical and processing speed is not.

WV

WavPack - hybrid lossless/lossy audio codec with unique correction file feature. Can create lossy file with separate correction file for lossless reconstruction. Excellent compression efficiency. Perfect for flexible audio archiving. Less common than FLAC. Supports high-resolution audio and DSD. Convert to FLAC for universal compatibility.

TTA

True Audio - lossless audio compression with fast encoding/decoding. Similar compression to FLAC with simpler algorithm. Open-source and free format. Perfect quality preservation. Less common than FLAC with limited player support. Perfect for audio archiving when FLAC compatibility not required. Convert to FLAC for broader compatibility.

AIFF

Audio Interchange File Format - Apple's uncompressed audio format, equivalent to WAV but for Mac. Stores PCM audio with perfect quality. Standard audio format for macOS and professional Mac audio applications. Supports metadata tags better than WAV. Large file sizes like WAV (10MB per minute). Perfect for Mac-based audio production, professional recording, and scenarios requiring uncompressed audio on Apple platforms. Interchangeable with WAV for most purposes.

Legacy Formats

MP2

MPEG-1 Audio Layer II - predecessor to MP3 used in broadcasting and DVDs. Better quality than MP3 at high bitrates. Standard audio codec for DVB (digital TV) and DVD-Video. Lower compression efficiency than MP3. Perfect for broadcast applications and DVD authoring. Legacy format being replaced by AAC in modern broadcasting. Still encountered in digital TV and video production workflows.

AC3

Dolby Digital (AC-3) - surround sound audio codec for DVD, Blu-ray, and digital broadcasting. Supports up to 5.1 channels. Standard audio format for DVDs and HDTV. Good compression with multichannel support. Perfect for home theater and video production. Used in cinema and broadcast. Requires Dolby license for encoding.

AMR

Adaptive Multi-Rate - speech codec optimized for mobile voice calls. Excellent voice quality at very low bitrates (4.75-12.2 kbps). Standard for GSM and 3G phone calls. Designed specifically for speech, not music. Perfect for voice recordings, voicemail, and speech applications. Used in WhatsApp voice messages and mobile voice recording. Efficient for voice but inadequate for music.

AU

Sun/NeXT Audio - simple audio format from Sun Microsystems and NeXT Computer. Uncompressed or μ-law/A-law compressed audio. Common on Unix systems. Simple header with audio data. Perfect for Unix audio applications and legacy system compatibility. Found in system sounds and Unix audio files. Convert to WAV or MP3 for modern use.

MID

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RA

RealAudio - legacy streaming audio format from RealNetworks (1990s-2000s). Pioneered internet audio streaming with low-bitrate compression. Obsolete format replaced by modern streaming technologies. Poor quality by today's standards. Convert to MP3 or AAC for modern use. Historical importance in early internet audio streaming.

How to Convert Files

Upload your files, select output format, and download converted files instantly. Our converter supports batch conversion and maintains high quality.

Frequently Asked Questions

What is DVMS format?

DVMS (Dialogic Voice Messaging System) is an audio format created by Dialogic Corporation, specifically for their voice telephony cards and voice messaging platforms popular in the 1990s and early 2000s. Dialogic was (and remains) a major player in computer telephony integration (CTI) - they made hardware and software that turned computers into phone systems, IVR (Interactive Voice Response) platforms, voice mail servers, and call centers. DVMS format stored voice messages, IVR prompts, and recorded calls.

The format uses OKI/Dialogic ADPCM compression - a variant of Adaptive Differential Pulse Code Modulation optimized for telephony. ADPCM compresses audio by storing differences between samples rather than absolute values, achieving 4:1 compression (16-bit PCM to 4-bit ADPCM). DVMS was designed for efficient voice storage on 1990s hardware with limited disk space and processing power. Telephone quality voice at low bitrates with simple decompression suited real-time telephony applications.

Should I convert DVMS to WAV or MP3?

Converting DVMS makes practical sense:

Proprietary Format

DVMS is Dialogic-specific. Modern systems don't support it. Convert to standard formats for accessibility.

Voice Quality

DVMS stores telephone-quality voice with ADPCM compression. Convert to WAV for archival, MP3 for distribution.

Legacy System Migration

Organizations replacing Dialogic systems need DVMS conversion for voice data migration to modern platforms.

Limited Tools

Few tools handle DVMS. Convert while conversion options still exist, before tools become completely unavailable.

Convert DVMS to WAV for preservation and compatibility. Use MP3 if distributing voice recordings where file size matters.

What was Dialogic and why does DVMS matter?

Dialogic's role in telecommunications history:

Computer Telephony Pioneer

Dialogic (1983-present) made telephony cards turning PCs into phone systems. Enabled voice mail, IVR, call centers on computers.

Voice Messaging Systems

Dialogic powered voice mail platforms in businesses worldwide. DVMS was native format for storing voice messages.

IVR Applications

Interactive Voice Response (automated phone menus) ran on Dialogic hardware. DVMS stored prompts ('Press 1 for...') and recordings.

Call Centers

Call recording, quality monitoring, agent training - all used Dialogic systems. DVMS files preserved customer interactions.

Industry Standard

1990s-early 2000s: Dialogic was THE computer telephony platform. Dominated market before VoIP disrupted industry.

Format Lock-In

DVMS tied users to Dialogic ecosystem. Proprietary format meant vendor dependency - migration required conversion.

VoIP Transition

VoIP (2000s) made proprietary telephony hardware obsolete. Dialogic adapted, but DVMS format faded with hardware systems.

DVMS files are artifacts from computer telephony's hardware era, before software-based VoIP took over. Significant for business telecommunications history.

How do I convert DVMS to WAV or MP3?

SoX (Sound eXchange) might support DVMS - worth trying: `sox input.vms output.wav` (note: extension is often .vms, not .dvms). SoX has support for various Dialogic ADPCM variants. Success depends on specific ADPCM variant your DVMS files use. If SoX fails, it likely doesn't recognize that particular Dialogic format variant.

FFmpeg has limited Dialogic ADPCM support: `ffmpeg -f adpcm_ima -i input.vms output.wav` might work if files use IMA ADPCM variant. Dialogic used multiple ADPCM schemes (OKI ADPCM, IMA ADPCM), so format flag experimentation may be needed. Not all DVMS variants will convert with standard FFmpeg.

Dialogic-specific tools: Older Dialogic development kits included conversion utilities. If you have access to Dialogic SDK documentation or archived software, look for sample conversion code or utilities. Legacy Dialogic developer communities might have conversion tools. For mission-critical DVMS archives, consider hiring telecommunications data recovery specialists with Dialogic expertise. Commercial conversion services exist for legacy telephony data.

What quality is DVMS audio?

Telephone quality - 8kHz sample rate (telephony bandwidth 300-3400 Hz), mono, ADPCM compressed. Audio quality is adequate for voice intelligibility but not high-fidelity. Expect noticeable compression artifacts - slight graininess, reduced dynamic range, loss of high-frequency detail (consonants like 's', 'f' lack crispness). Speech is perfectly understandable, but you're hearing compressed telephony audio with characteristic ADPCM quantization noise.

OKI/Dialogic ADPCM at 4-bit provides 4:1 compression ratio from 16-bit source. This aggressive compression discards audio information, introducing artifacts. For voice messages and IVR prompts (DVMS's intended use), quality is acceptable - you understand words clearly. For music or high-quality voice recording, DVMS quality is poor. It's optimized for telephone voice applications where storage efficiency outweighed audio fidelity.

Converting DVMS to WAV or MP3 preserves existing quality - it doesn't improve audio. If DVMS was 8kHz/4-bit ADPCM, converted WAV will reflect that limited quality. Accept DVMS for what it is: telephone voice storage optimized for 1990s hardware constraints. Historical value and content intelligibility matter more than audio excellence.

What software can play DVMS files?

Almost nothing modern plays DVMS natively. Consumer media players (VLC, Windows Media Player, iTunes) don't recognize DVMS/Dialogic formats. Professional audio software (Audacity, Adobe Audition) generally lacks DVMS support unless they happen to support underlying ADPCM codec (rare). The format is too specialized and proprietary for general audio tool support.

Dialogic development tools and SDKs had playback utilities, but these are legacy software from 1990s-2000s requiring old Windows versions or specific hardware. Finding, installing, and running decades-old Dialogic software is impractical for most users. Even if you had Dialogic tools, getting them to work on modern systems is problematic.

Practical recommendation: Don't attempt DVMS playback. Convert to WAV using SoX or FFmpeg (if they support your specific DVMS variant), then play WAV in any media player. Fighting to play obscure proprietary format wastes time better spent on conversion. DVMS is archaeological format - extract content to modern format and move on.

How does Dialogic ADPCM work?

Adaptive Differential PCM stores differences (deltas) between consecutive audio samples rather than absolute values. Audio signals, especially voice, change gradually - consecutive samples are similar. Storing small differences is more efficient than storing full sample values. This is the 'differential' part. Voice compression benefits enormously from this predictable characteristic.

Adaptive quantization adjusts compression ratio based on signal characteristics. When audio changes rapidly (speech transients, consonants), algorithm uses larger quantization steps to track signal. During gradual changes (vowels, sustained sounds), smaller steps suffice. This adaptation ('adaptive' in ADPCM) optimizes quality vs compression tradeoff dynamically. Better than fixed quantization for variable voice signals.

Dialogic used OKI ADPCM variant - specific implementation of ADPCM principles with parameters optimized for telephony voice. At 4-bit per sample (down from 16-bit PCM), achieves 4:1 compression. Simple algorithm means fast decompression on 1990s CPUs - critical for real-time telephony applications processing many channels simultaneously. Trade-off: aggressive compression introduces quantization noise and reduced quality acceptable for telephone voice, poor for music.

Why was DVMS used instead of standard formats?

DVMS advantages in 1990s telephony context:

Storage Efficiency

ADPCM compression reduced file size 4:1 vs PCM. Critical when hard drives were expensive/small (gigabytes, not terabytes).

Real-Time Performance

Simple decompression algorithm enabled real-time playback on 1990s CPUs. Complex codecs required too much processing power.

Dialogic Optimization

Format tailored to Dialogic hardware capabilities. Tight integration with telephony cards for efficient operation.

Telephony-Specific

8kHz/mono matched telephone bandwidth. No wasted storage on frequencies/channels unnecessary for phone voice.

No Standards Yet

Modern VoIP codecs (G.729, Opus) didn't exist in 1990s. Proprietary solutions were normal before standardization.

DVMS made sense in 1990s hardware telephony context. Proprietary format wasn't unusual - vendor-specific solutions dominated before VoIP standardization.

Why did DVMS become obsolete?

VoIP revolution killed hardware telephony. Dialogic's business model was selling telephony cards for computer integration. VoIP (Voice over IP) made specialized hardware unnecessary - software on standard servers handled voice. When telephony moved from circuit-switched to packet-switched networks (2000s), Dialogic's hardware advantage vanished. DVMS format, tied to hardware systems, became obsolete along with the platforms.

Standardized codecs replaced proprietary formats. ITU standards (G.711, G.729) and open codecs (Opus) provided better quality, wider support, and no vendor lock-in. Businesses migrating to VoIP chose standard-based systems over proprietary solutions. DVMS's Dialogic dependency became liability rather than feature. Standardization eliminated competitive advantage of proprietary formats.

Cloud communications disrupted entire industry. Modern unified communications (Microsoft Teams, Zoom, RingCentral) run entirely in cloud/software. No Dialogic cards needed. Voice is just another data stream. DVMS had no role in this software-defined telecommunications world. Format was too tied to specific hardware era. Cloud migration meant DVMS archives required conversion; new recordings used standard formats from start.

What information is in DVMS file headers?

DVMS file structure:

Format Identifier

Magic number or header bytes identifying file as Dialogic format. Enables software to recognize DVMS files.

Audio Parameters

Sample rate (typically 8000 Hz), ADPCM variant type (OKI, IMA), mono/stereo flag, data length. Basic playback information.

Compression Details

ADPCM predictor coefficients, quantization tables, or other codec-specific parameters needed for decompression.

Minimal Metadata

Telephony formats rarely stored rich metadata. Caller info, timestamps lived in separate database maintained by voice messaging software.

Dialogic-Specific Info

Possibly includes Dialogic card model, format version, or other vendor-specific data. Proprietary header structure.

Binary Format

DVMS is binary - not human-readable. Hex editor shows compressed data, but interpretation requires format documentation.

After Header: ADPCM Data

Following header is compressed audio stream. Each 4-bit sample represents delta from previous sample plus adaptation info.

Variant Differences

Dialogic supported multiple ADPCM variants over decades. Header structure might differ between versions/formats.

Documentation Challenges

Proprietary format specs were in Dialogic developer docs. Without access to SDK documentation, format is opaque.

Conversion Dependency

Understanding header structure essential for conversion. Without format knowledge, DVMS files are unreadable binary.

Can I create DVMS files today?

Technically possible if you have Dialogic SDK tools or custom encoder implementing OKI/Dialogic ADPCM. But why create DVMS? No modern system expects this format. VoIP platforms, voice recording applications, telephony systems all use standard codecs (G.711, G.729, Opus). Creating DVMS produces files requiring immediate reconversion. It's pointless extra work.

Only conceivable reason: testing legacy Dialogic system, developing conversion tools (need sample files), or digital preservation research recreating historical telecommunications environment. These are extreme edge cases - perhaps handful of people worldwide. For practical voice recording or telephony applications, DVMS creation is never appropriate choice.

For any real voice application: use WAV (uncompressed, universal), MP3/AAC (lossy but standard), G.711 (telephony standard), or Opus (modern efficient codec). These have broad support, good quality, clear future. Creating DVMS is technological regression serving no purpose. Don't do it unless specifically researching telecommunications history and need authentic test files.

Are DVMS files recoverable from failing systems?

Depends on failure type and data importance. If Dialogic voice server hard drive is failing, standard data recovery applies - image drive with dd/ddrescue, recover files from image, then convert DVMS to modern format. Time-critical: recover files first, worry about conversion later. Physical drive failure requires professional data recovery service if data is valuable.

If Dialogic system is operational but being decommissioned, export DVMS files immediately before system is powered down. Once hardware is scrapped, recovering Dialogic-specific configuration/data becomes much harder. Priority: copy all voice message files, IVR prompts, recorded calls to modern storage before system removal. Then work on conversion at leisure.

For critical business data (legal call recordings, compliance data, historical customer interactions), hire telecommunications data recovery specialists familiar with Dialogic systems. They have tools, expertise, and often access to legacy hardware for recovering and converting proprietary voice data. DIY recovery risks permanent data loss. Professional recovery services expensive but worthwhile for irreplaceable business/legal recordings.

How do I batch convert Dialogic voice archives?

If SoX supports your DVMS variant: PowerShell (Windows): `Get-ChildItem -Filter *.vms | ForEach-Object { sox $_.Name "$($_.BaseName).wav" }`. Bash (Linux/Mac): `for f in *.vms; do sox "$f" "${f%.vms}.wav"; done`. Test one file first to verify conversion works before processing thousands of files. Batch conversion saves enormous time for large archives.

If using FFmpeg with ADPCM format flag: `Get-ChildItem -Filter *.vms | ForEach-Object { ffmpeg -f adpcm_ima -i $_.Name "$($_.BaseName).wav" }`. Adjust format flag (-f adpcm_ima or other ADPCM variant) based on your specific DVMS files. Experiment with single file to find correct parameters before batch processing.

For very large archives (tens of thousands of files), script verification - check that each conversion succeeded, log errors, verify output file sizes are reasonable. Not every DVMS file may convert successfully (corruption, unusual variants). Document conversion process: tool used, version, parameters, date, success rate. Metadata about conversion process matters for archival integrity and future reference.

What legal considerations exist for DVMS archives?

Call recording regulations vary by jurisdiction. Some require two-party consent, some one-party. DVMS archives from call centers might contain recordings subject to consent laws, wiretapping statutes, or recording notification requirements. Converting and preserving these recordings might have legal implications. Consult legal counsel before processing old call recordings - compliance requirements persist even for archived data.

Data retention policies and privacy laws (GDPR, CCPA, sector-specific regulations) may require deletion of voice recordings after specific periods. Old DVMS archives might contain personal information that should have been deleted per retention schedules. Converting and making accessible could violate retention policies or privacy laws. Audit what's in DVMS archives before conversion - some might need to be destroyed, not preserved.

Conversely, some industries must preserve communications for legal/regulatory compliance (finance, healthcare, government). DVMS archives might contain legally required records. Format obsolescence doesn't exempt from preservation requirements. For compliance-critical voice data, conversion to stable modern format is legal obligation, not optional. Consult records management and legal teams to determine retention requirements before making preservation decisions.

Should I preserve DVMS files or just converted audio?

For business/legal records: Keep both DVMS originals and WAV conversions. Originals provide authenticity and chain of custody for legal purposes. Conversions provide accessibility. Storage costs negligible compared to legal risks of inadequate record preservation. Maintain parallel archive: original DVMS (authenticity/evidence) plus WAV (usability/future-proofing).

Document conversion extensively. Record: tool used (version, settings), conversion date, person/organization performing conversion, quality assessment (success rate, audible artifacts), verification method (spot-checking, automated validation). Metadata about conversion process establishes reliability and chain of custody. For legal/compliance purposes, documentation is as important as the audio itself.

For non-critical voice data (routine IVR prompts, obsolete voice mail greetings), WAV conversion alone is probably sufficient. Discard DVMS after verified conversion to save storage. No need to preserve obsolete format for data with purely historical or casual value. Risk assessment determines preservation strategy: critical business/legal data? Keep originals plus conversions. Routine voice data? Conversion only. Preservation depth matches data importance.