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Supported Formats

Convert between all major file formats with high quality

Common Formats

MP3

MPEG-1 Audio Layer III - the most universal audio format worldwide, using lossy compression to reduce file sizes by 90% while maintaining excellent perceived quality. Perfect for music libraries, podcasts, portable devices, and any scenario requiring broad compatibility. Supports bitrates from 32-320kbps. Standard for digital music since 1993, playable on virtually every device and platform.

WAV

Waveform Audio File Format - uncompressed PCM audio providing perfect quality preservation. Standard Windows audio format with universal compatibility. Large file sizes (10MB per minute of stereo CD-quality). Perfect for audio production, professional recording, mastering, and situations requiring zero quality loss. Supports various bit depths (16, 24, 32-bit) and sample rates. Industry standard for professional audio work.

OGG

Ogg Vorbis - open-source lossy audio codec offering quality comparable to MP3/AAC at similar bitrates. Free from patents and licensing restrictions. Smaller file sizes than MP3 at equivalent quality. Used in gaming, open-source software, and streaming. Supports variable bitrate (VBR) for optimal quality. Perfect for applications requiring free codecs and good quality. Growing support in media players and platforms.

AAC

Advanced Audio Coding - successor to MP3 offering better quality at same bitrate (or same quality at lower bitrate). Standard audio codec for Apple devices, YouTube, and many streaming services. Supports up to 48 channels and 96kHz sample rate. Improved frequency response and handling of complex audio. Perfect for iTunes, iOS devices, video streaming, and modern audio applications. Part of MPEG-4 standard widely supported across platforms.

FLAC

Free Lossless Audio Codec - compresses audio 40-60% without any quality loss. Perfect bit-for-bit preservation of original audio. Open-source format with no patents or licensing fees. Supports high-resolution audio (192kHz/24-bit). Perfect for archiving music collections, audiophile listening, and scenarios where quality is paramount. Widely supported by media players and streaming services. Ideal balance between quality and file size.

M4A

MPEG-4 Audio - AAC or ALAC audio in MP4 container. Standard audio format for Apple ecosystem (iTunes, iPhone, iPad). Supports both lossy (AAC) and lossless (ALAC) compression. Better quality than MP3 at same file size. Includes metadata support for artwork, lyrics, and rich tags. Perfect for iTunes library, iOS devices, and Apple software. Widely compatible across platforms despite Apple association. Common format for purchased music and audiobooks.

WMA

Windows Media Audio - Microsoft's proprietary audio codec with good compression and quality. Standard Windows audio format with native OS support. Supports DRM for protected content. Various profiles (WMA Standard, WMA Pro, WMA Lossless). Comparable quality to AAC at similar bitrates. Perfect for Windows ecosystem and legacy Windows Media Player. Being superseded by AAC and other formats. Still encountered in Windows-centric environments and older audio collections.

Lossless Formats

ALAC

Apple Lossless Audio Codec - Apple's lossless compression reducing file size 40-60% with zero quality loss. Perfect preservation of original audio like FLAC but in Apple ecosystem. Standard lossless format for iTunes and iOS. Supports high-resolution audio up to 384kHz/32-bit. Smaller than uncompressed but larger than lossy formats. Perfect for iTunes library, audiophile iOS listening, and maintaining perfect quality in Apple ecosystem. Comparable to FLAC but with better Apple integration.

APE

Monkey's Audio - high-efficiency lossless compression achieving better ratios than FLAC (typically 55-60% of original). Perfect quality preservation with zero loss. Free format with open specification. Slower compression/decompression than FLAC. Popular in audiophile communities. Limited player support compared to FLAC. Perfect for archiving when maximum space savings desired while maintaining perfect quality. Best for scenarios where storage space is critical and processing speed is not.

WV

WavPack - hybrid lossless/lossy audio codec with unique correction file feature. Can create lossy file with separate correction file for lossless reconstruction. Excellent compression efficiency. Perfect for flexible audio archiving. Less common than FLAC. Supports high-resolution audio and DSD. Convert to FLAC for universal compatibility.

TTA

True Audio - lossless audio compression with fast encoding/decoding. Similar compression to FLAC with simpler algorithm. Open-source and free format. Perfect quality preservation. Less common than FLAC with limited player support. Perfect for audio archiving when FLAC compatibility not required. Convert to FLAC for broader compatibility.

AIFF

Audio Interchange File Format - Apple's uncompressed audio format, equivalent to WAV but for Mac. Stores PCM audio with perfect quality. Standard audio format for macOS and professional Mac audio applications. Supports metadata tags better than WAV. Large file sizes like WAV (10MB per minute). Perfect for Mac-based audio production, professional recording, and scenarios requiring uncompressed audio on Apple platforms. Interchangeable with WAV for most purposes.

Legacy Formats

MP2

MPEG-1 Audio Layer II - predecessor to MP3 used in broadcasting and DVDs. Better quality than MP3 at high bitrates. Standard audio codec for DVB (digital TV) and DVD-Video. Lower compression efficiency than MP3. Perfect for broadcast applications and DVD authoring. Legacy format being replaced by AAC in modern broadcasting. Still encountered in digital TV and video production workflows.

AC3

Dolby Digital (AC-3) - surround sound audio codec for DVD, Blu-ray, and digital broadcasting. Supports up to 5.1 channels. Standard audio format for DVDs and HDTV. Good compression with multichannel support. Perfect for home theater and video production. Used in cinema and broadcast. Requires Dolby license for encoding.

AMR

Adaptive Multi-Rate - speech codec optimized for mobile voice calls. Excellent voice quality at very low bitrates (4.75-12.2 kbps). Standard for GSM and 3G phone calls. Designed specifically for speech, not music. Perfect for voice recordings, voicemail, and speech applications. Used in WhatsApp voice messages and mobile voice recording. Efficient for voice but inadequate for music.

AU

Sun/NeXT Audio - simple audio format from Sun Microsystems and NeXT Computer. Uncompressed or μ-law/A-law compressed audio. Common on Unix systems. Simple header with audio data. Perfect for Unix audio applications and legacy system compatibility. Found in system sounds and Unix audio files. Convert to WAV or MP3 for modern use.

MID

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RA

RealAudio - legacy streaming audio format from RealNetworks (1990s-2000s). Pioneered internet audio streaming with low-bitrate compression. Obsolete format replaced by modern streaming technologies. Poor quality by today's standards. Convert to MP3 or AAC for modern use. Historical importance in early internet audio streaming.

How to Convert Files

Upload your files, select output format, and download converted files instantly. Our converter supports batch conversion and maintains high quality.

Frequently Asked Questions

What is CVS audio format?

CVS (Continuously Variable Slope Delta modulation) is an ultra-obscure audio compression format used in specific telephony and voice messaging systems, primarily during the 1990s. It's a variant of delta modulation - instead of storing absolute audio sample values, CVS stores the slope (rate of change) between samples. This compression technique was designed for low-bandwidth voice applications where minimizing data size mattered more than audio quality.

The format emerged from telephony research seeking better compression than basic PCM for voice-only applications. CVS offered reasonable voice intelligibility at very low bitrates - important when storage was expensive and transmission bandwidth limited. It's related to CVSD (Continuously Variable Slope Delta) used in Bluetooth, but CVS is even more niche and less standardized. You'll find it in legacy PBX systems, ancient voice mail platforms, and specialized telecommunications equipment.

Should I convert CVS to WAV or MP3?

Converting CVS is necessary for accessibility:

Dead Format

CVS has zero modern support. No player, no software, no documentation. Conversion to standard format is mandatory.

Voice Quality Only

CVS stored telephone-quality voice. Convert to WAV for archival preservation, MP3 for practical listening/storage.

Telephony Legacy

CVS files are from obsolete phone systems. Converting preserves voice content before playback tools vanish completely.

No Hardware

Equipment that created/played CVS is extinct. Modern devices need standard formats. Conversion bridges technology gap.

Convert CVS to WAV for authentic archival (preserves whatever quality existed). Use MP3 if distributing old voice messages where small file size helps.

What is delta modulation and how does CVS work?

CVS compression technique explained:

Delta Principle

Instead of storing absolute sample values (like PCM), delta modulation stores differences between consecutive samples. Smaller numbers = more efficient.

Slope Adaptation

CVS adapts step size based on signal slope. Steep changes use larger steps, gradual changes use smaller steps. 'Continuously Variable Slope'.

Voice Optimization

Human speech has predictable patterns. CVS exploits this - voice doesn't change radically between adjacent samples, so differences are small/compressible.

Lossy Compression

CVS is lossy - can't perfectly reconstruct original. Acceptable for voice where perfect fidelity isn't required. Terrible for music.

Quantization Noise

Delta modulation introduces granular, hissy noise when step size can't track signal changes. CVS reduces this vs simple delta modulation.

Low Bitrate Focus

CVS achieved reasonable voice quality at 16-32 kbps. Compare to PCM needing 64 kbps for telephone quality. Compression was point.

Why Obsolete

Modern codecs (G.729, Opus, AMR) provide better quality at same/lower bitrates. CVS was superseded by superior algorithms.

CVS was clever 1990s compression technique now made obsolete by better codecs and cheaper storage/bandwidth. Historical technology only.

How do I convert CVS files to WAV or MP3?

This is genuinely difficult because CVS is so obscure. SoX (Sound eXchange) might support CVS in some builds, but success is uncertain - try `sox input.cvs output.wav` and see if it works. FFmpeg likely won't recognize CVS unless you have specialized builds. The format is so niche that mainstream audio tools never bothered implementing support. You might need to search for specialized telephony conversion utilities specific to whatever system created the CVS files.

If dealing with CVS from specific phone system or voice mail platform, check if manufacturer provided conversion tools. Legacy telecommunications companies (Nortel, Avaya, Lucent) sometimes had proprietary utilities for exporting voice messages from their systems. These tools might convert CVS to WAV as part of system migration. Long shot, but worth researching if you know the CVS source system.

Worst case: You might not be able to convert CVS files if they're truly obscure variant with no tool support. This happens with extremely proprietary formats from defunct companies. If conversion proves impossible, document what you can (file metadata, any text info), and preserve the CVS files themselves in case future tools or researchers develop conversion methods. Don't assume all formats are recoverable - some digital data becomes unreadable when its ecosystem dies.

What quality is CVS audio?

Telephone quality at best - think landline phone call from the 1990s. CVS was designed for voice-only applications with bandwidth constraints, not high-fidelity recording. Expect 8kHz sample rate (telephone bandwidth 300-3400 Hz), mono, and noticeable compression artifacts (granular noise, reduced dynamic range, loss of high-frequency detail). Speech is intelligible but fatiguing to listen to for extended periods.

Delta modulation artifacts are specific and recognizable - a kind of granular, steppy quality where smooth sounds become slightly jagged. Imagine speech played through very low bitrate codec with quantization noise. Music would sound terrible in CVS (and was never the intended use case). For voice messages - 'You have two new messages' or business voicemail - CVS quality was deemed acceptable given the file size savings.

Don't expect quality improvement through conversion. CVS files contain limited information - converting to WAV or MP3 preserves that limited information in more accessible container, it doesn't magically enhance quality. Accept CVS for what it is: bare-minimum voice intelligibility optimized for 1990s storage constraints. Historical value and content matter more than audio fidelity for these files.

Where did CVS audio files come from?

Legacy PBX (Private Branch Exchange) phone systems and voice mail platforms from the 1990s. Office phone systems that handled voice messages, on-hold audio, auto-attendant greetings, and call recording sometimes used CVS or similar delta modulation formats for storage. When these systems were decommissioned, CVS files might have been archived without conversion, creating orphaned data readable only by obsolete equipment.

Telecommunications research and testing environments. Engineering labs working on voice compression, telephony standards, or speech quality testing might have generated CVS files as experimental data. Academic research into delta modulation and voice coding could have produced CVS recordings. These are historical data from communications technology development - now inaccessible without proper tools.

Industrial and military communications systems. Specialized voice recording equipment for quality assurance (call centers), surveillance/monitoring (security), or military communications might have used proprietary delta modulation formats including CVS. These systems prioritized low bandwidth and specialized hardware over compatibility with consumer audio standards. CVS files from these contexts are especially difficult to convert without original system documentation.

Can any software play CVS files?

Effectively no. VLC, Windows Media Player, iTunes, foobar2000 - zero recognition of CVS. Professional audio software (Audacity, Audition, Pro Tools) won't open CVS. The format is too obscure and industry-specific for general audio tools. Even specialized telephony software rarely supports CVS playback unless specifically designed for systems that created CVS files in the first place.

Original hardware/software that created CVS files could play them - but that's usually extinct. The PBX system, voice mail server, or recording device that generated CVS files had built-in decoders. When that hardware was retired (often 15-25 years ago), playback capability vanished. Unlike consumer formats with broad software support, CVS lived and died with specific professional systems.

Your only realistic path: conversion to standard format (WAV, MP3). Don't waste time hunting for CVS playback software - it effectively doesn't exist for general users. Focus energy on finding conversion tools or specialists who can extract audio to accessible formats. CVS playback is dead; conversion is the only forward path.

How does CVS compare to CVSD format?

CVS vs CVSD (related but different):

Same Principle

Both use continuously variable slope delta modulation. Same underlying compression technique exploiting voice characteristics.

Different Applications

CVSD became standard in Bluetooth headsets, military radios, secure communications. CVS stayed more obscure, used in specific telephony systems.

Standardization

CVSD has formal specifications and broader adoption. CVS is less standardized, more proprietary. CVSD 'won' in marketplace.

Tool Support

CVSD has slightly better conversion tool support due to Bluetooth and military use. CVS has nearly zero support. Subtle but important difference.

Similar Obsolescence

Both are obsolete for new applications. Modern codecs (Opus, AMR, AAC) replaced delta modulation techniques. Historical formats.

CVS and CVSD are cousins - same technology family, different deployment contexts. Both require conversion to modern formats for practical use today.

Why did CVS format become obsolete?

Better codecs emerged. ITU standards like G.729 (1996) provided better voice quality at similar or lower bitrates with more robust error handling. G.729 became ubiquitous in VoIP, crushing specialized formats like CVS. Standardization matters - G.729 had international backing, CVS was proprietary/niche. Network effects favored widely-adopted standards over boutique solutions.

Storage and bandwidth became cheap. CVS existed because storage was expensive and transmission bandwidth limited. As hard drives expanded and bandwidth increased through 2000s, aggressive compression became unnecessary. Uncompressed or lightly-compressed formats (G.711, WAV) became practical for voice applications. The problem CVS solved - extreme storage efficiency - stopped being a problem.

Equipment turnover eliminated CVS systems. PBX systems get replaced every 10-20 years. Voice mail platforms migrate to newer technology. As organizations upgraded from 1990s phone systems to VoIP (2000s-2010s), CVS-generating equipment was decommissioned. Modern systems use standard codecs with broad support. CVS had no migration path - it died with the hardware that created it.

What information is in CVS file headers?

CVS file structure (if any standardized format exists):

Minimal Header

Likely contains sample rate, data length, and encoding parameters. Delta modulation needs step size and adaptation info.

Proprietary Variations

Different systems implementing CVS might use different header structures. No universal standard - each manufacturer did their own thing.

No Rich Metadata

Telephony formats rarely stored metadata like caller ID, timestamp, or message context in audio file. That lived in separate database.

Reconstruction Challenge

Without documentation, determining CVS file structure is reverse-engineering challenge. Headers might be unreadable without system knowledge.

Binary Format

CVS is binary - not human-readable. Hex editor shows compressed data, but interpretation requires understanding specific implementation.

Why It Matters

Lack of standardized headers makes CVS conversion harder. Each system's CVS might be incompatible with others. Format fragmentation.

Documentation Loss

Proprietary formats from defunct companies often lack available documentation. Headers become mysteries without manufacturer specs.

Context Critical

Knowing source system (which PBX, which voice mail platform) dramatically helps conversion. Context provides clues to format details.

Preservation Challenge

Without readable headers and documentation, CVS files risk becoming permanently unreadable. Digital preservation failure scenario.

Conversion Urgency

Convert CVS files immediately while any tools/knowledge exist. Delay increases risk of permanent data loss as expertise vanishes.

Can I create CVS files today?

Technically possible but completely pointless. Even if tools existed to encode CVS (unlikely), why would you? No modern system expects CVS input. Voice recording applications use standard formats (WAV, MP3, AAC, Opus). Creating CVS would produce files nothing can play without specialized conversion. It's creating orphaned data deliberately - terrible practice.

The only conceivable reason to create CVS: digital archaeology project intentionally reproducing historical telecommunication system for research or preservation purposes. Running vintage PBX emulation or recreating 1990s voice mail for computer history documentation might require period-accurate formats. This is academic/hobbyist edge case - 99.999% of people never need to create CVS.

For any practical voice recording: use standard formats. WAV for uncompressed, MP3/AAC for lossy compression, Opus for cutting-edge efficiency. These have universal playback support, excellent quality, and guaranteed future compatibility. Creating CVS is moving backward to obsolete technology with no benefits and enormous compatibility costs. Don't do it unless you're specifically studying telecommunications history.

What happens when CVS files can't be converted?

Data loss - the harsh reality of proprietary formats. If no conversion tools exist and no one living understands the format specification, CVS files become binary garbage. The voice content is trapped in an unreadable format, effectively lost despite still existing as files. This is digital preservation's worst-case scenario: data survives physically but is inaccessible logically.

Mitigation strategies: Preserve files anyway in case future tools or research enables conversion. Document everything possible - where files came from, what system created them, any technical details available. Contact telecommunications historians, retro computing communities, digital preservation organizations. Sometimes specialists can reverse-engineer formats or have access to obscure tools. Don't assume hopeless - but don't assume success either.

Lessons for future: This is why proprietary formats are dangerous for long-term storage. Open, documented, widely-supported formats survive. Proprietary formats from small vendors or niche applications become unreadable when their ecosystem dies. CVS files represent cautionary tale about format choice. For anything you want to preserve long-term, use open standards with multiple implementations and active communities.

How do I identify if a file is actually CVS format?

File extension might be .cvs, but extensions are unreliable - just metadata added by users/systems. True identification requires examining file content. Hex editor can show file header structure - look for magic numbers (identifying bytes at file start) or recognizable patterns. Without format documentation, identification is educated guessing based on context (where file came from, what system created it).

File command on Unix/Linux: `file filename.cvs` might identify format if CVS signature is in file's magic database (unlikely for obscure format). MediaInfo, ffprobe, or similar tools will fail on unrecognized formats but worth trying. Process of elimination: if established tools can't identify file and you know it's from telephony system, CVS or similar proprietary format is likely.

Context is your best clue. Where did file come from? If answer is '1990s voice mail system', 'legacy PBX archive', or 'old telecom equipment', CVS is plausible. If you have multiple files with same unidentifiable structure from same source, that's evidence of consistent (possibly CVS) format. Document provenance carefully - it's critical for eventual conversion attempts or future research.

What are common problems with CVS audio files?

Complete lack of tool support is problem #1. You have files, but nothing opens or converts them. This isn't like struggling with obscure codec - CVS might have zero accessible conversion path. Problem compounds with age as expertise and tools disappear. Every year that passes makes CVS conversion less likely to succeed as knowledge holders retire or documentation is discarded.

Unknown format variations. 'CVS' might describe multiple incompatible implementations. What Vendor A called CVS might differ from Vendor B's CVS. Without knowing specific implementation, even finding converter is difficult - you need the RIGHT converter for YOUR variant of CVS. Format ambiguity makes conversion hit-or-miss. Documentation loss exacerbates this - specs are gone, leaving only data.

File corruption from age and media degradation. CVS files on failing hard drives, damaged tapes, or corrupted backups might be partially unreadable. Delta modulation can be sensitive to corruption - errors cascade through decompression. Even successfully converted CVS might have glitches (clicks, dropouts, distortion) from source corruption. Combine obsolete format with aging media and you get preservation nightmare.

Should I preserve CVS files or just the converted audio?

Preserve both if conversion succeeds. Keep original CVS files as authentic artifacts plus WAV conversions for accessibility. Storage is cheap - maintain both versions. CVS files have historical value even if difficult to use. Future researchers or improved conversion tools might extract better quality or different information from originals. Redundancy protects against format knowledge loss.

Document everything. Note conversion method (tool used, parameters, date), source system (what created CVS files), quality assessment (conversion artifacts, completeness), and any technical details discovered. Metadata matters as much as files for historical preservation. Future users need context to understand what these files represent and how they were processed.

If conversion fails, preserve CVS files anyway. Include all available context - system documentation, technical specs, any information about format. Archive to stable storage with checksums for integrity verification. Submit to digital preservation archives (Internet Archive, academic libraries with telecom history collections). Don't discard unreadable formats - they might become readable with future technology or research. Preservation is long game.